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“I swear to you that I heard the story of the lion-sorcerer just before leaving for the war. This story, like all interesting stories, is full of clever innuendo. Whoever tells a well-known story like the one about the lion-sorcerer and the fickle princess might always be hiding another story beneath it. To be seen, the story hidden beneath the well-known story has to peak out a little bit. If the hidden story hides too well beneath the well-known story, it stays invisible. The hidden story has to be there without being there, it has to let itself be guessed at, the way a tight saffron-yellow dress lets the beautiful figure of a young girl be guessed at. It has to be transparent. When it’s understood by those for whom it is intended, the story hidden beneath the well-known story can change the course of their lives, can push them to transform a diffuse desire into a concrete act. It can heal them from the sickness of hesitation, no matter the expectations of an ill-intentioned storyteller.” — David Diop