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Quote by Ocean Vuong

“I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chain saw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. & so I learned—that a man in climax was the closest thing to surrender.”

Quote by Ocean Vuong

Book:Night Sky with Exit Wounds
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Night Sky with Exit Wounds

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Ocean Vuong

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WarHindsight
Book:War and Peace
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“Some had hurled spears first. Those spears thumped into our shields, making them unwieldy, but it hardly mattered. The leading Danes tripped on the hidden timbers and the men behind pushed the falling men forward. I kicked one in the face, feeling my iron-reinforced boot crush bone. Danes were sprawling at our feet while others tried to get past their fallen comrades to reach our line, and we were killing. Two men succeeded in reaching us, despite the smoking barricade, and one of those two feel to Wasp-Sting coming up from beneath his shield-rim. He had been swinging an ax that the man behind me caught on his shield and the Dane was still holding the war ax's shaft as I saw his eyes widen, saw the snarl of his mouth turn to agony as I saw his eyes widen, saw the snarl of his mouth turn to agony as I twisted the blade, ripping it upward, and as Cerdic, beside me, chopped his own ax down. The man with the crushed face was holding my ankle and I stabbed at him as the blood spray from Cerdic's ax blinded me. The whimpering man at my feet tried to crawl away, but Finan stabbed his sword into his thigh, then stabbed again. A Dane had hooked up his ax over the top rim of my shield and hauled it down to expose my body to a spear-thrust, but the ax rolled off the circular shield and the spear was deflected upward and I slammed Wasp-Sting forward again, felt her bite, twisted her, and Finan was keening his mad Irish song as he added his own blade to the slaughter. “Keep the shields touching!” I shouted at my men.”

War
Book:Death of Kings
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“He who kills from afar knows nothing at all about act of killing. He who kills from afar derives no lesson from life or from death; he neither risks nor stains his hands with blood, nor hears the breathing of his adversary, nor reads the fear, courage, or indifference in his eyes. He who kills from afar tests neither his arm, his heart, nor his conscience, nor does he create ghosts that will later haunt him every single night for the rest of his life. He who kills from afar is a knave who commends to others the dirty and terrible task that is his own.”

War
Book:The Sun Over Breda
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“I wonder where he lies. Wedged under a rock, with a thousand small mouths already sucking on his spongy flesh. Or floating still, on and down, on and down, to wider, calmer reaches of the river. I see them gathering: the drowned, the shot. Their hands float out to touch each other, fingertip to fingertip. In a day, two days, they will glide on, a funeral flotilla, past the unfinished white dome rising out of its scaffolds on a muddy hill in Washington. Will the citizens recognize them, the brave fallen, and uncover in a gesture of respect? Or will they turn away, disgusted by the bloated mass of human rot?”

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“In the midst of the heavy, hot fragrance of summer, and of the clean salty smell of the sea, there was the odor of wounded men, a sickly odor of blood and antiseptics which marked the zone of every military hospital. All Athens quickly took on that odor, as the wounded Greek soldiers were moved out of hospitals and piled into empty warehouses to make way for German wounded. Now every church, every empty lot, every school building in Athens is full of wounded, and on the pathways of Zappion, the park in the heart of Athens, bandaged men in makeshift wheel chairs are to be seen wherever one walks. Zappion is a profusion of flowers, heavy-scented luxurious flowers; but even the flower fragrance is not as strong as that of blood.”

WarBloodFlowersFragranceAthensOdorMilitary Occupation
Book:Miracles in Hellas: The Greeks Fight On
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“War has changed. It's no longer about nations, ideologies, or ethnicity. It's an endless series of proxy battles, fought by mercenaries and machines. War--and it's consumption of life--has become a well-oiled machine. War has changed. ID-tagged soldiers carry ID-tagged weapons, use ID-tagged gear. Nanomachines inside their bodies enhance and regulate their abilities. Genetic control, information control, emotion control, battlefield control…everything is monitored and kept under control. War…has changed. The age of deterrence has become the age of control, all in the name of averting catastrophe from weapons of mass destruction, and he who controls the battlefield, controls history. War…has changed. When the battlefield is under total control, war becomes routine.”

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Author:David Hayter as Solid Snake
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