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“On another point: King Leopold’s Ghost reproduces some of the photographs of Congo atrocities that fueled the worldwide protests against Leopold’s rule during the first decade of the twentieth century. These “fake photos,” Gilley declares, were “staged” by the photographer. Yes, some images appear posed—something true of most photos everywhere in an era when cameras were bulky contraptions on tripods whose subjects had to remain still for a few seconds.” — Adam Hochschild
On another point: King Leopold’s Ghost reproduces some of the photographs of Congo atrocities that fueled the worldwide protests against Leopold’s rule during the first decade of the twentieth century. These “fake photos,” Gilley declares, were “staged” by the photographer. Yes, some images appear posed—something true of most photos everywhere in an era when cameras were bulky contraptions on tripods whose subjects had to remain still for a few seconds.