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Quote by Sarah J. Maas

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A ​Court of Silver Flames

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Sarah J. Maas
Sarah J. Maas

Sarah J. Maas is an American author known for her fantasy novels. Her works are celebrated for their rich imagination, complex characters, and gripping plots. Born on March 5, 1986, Maas has developed a passion for writing from a young age and has become a successful author in her own right. more

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“Splatters of mud stained Rothbury's fine lawn shirt, which clung slickly to the broad expanse of his back like a second skin. Having rolled up his sleeves at the onset of his task, his muscled arms were now streaked with mud and rain as were the tall boots and tight black breeches that hugged the sinewy muscles of his long, undoubtedly strong legs. Her admiring gaze alighted upon his golden-brown hair, which now looked more brown than golden as it was wet with perspiration and mist. A few locks lay plastered to his neck in wispy whorls. Charlotte suddenly felt overly warm. Seeing him... wet... somehow embarrassed her. It felt dark, intimate. Truly, if it weren't for the mud- and clothes- she rather thought this would be what he looked like after a bath. A shiver ran down her arms as her eyes drifted to the dewy trails of rain droplets that ran over his slightly bristled jaw and neck, disappearing in the nest of his loosely tied cravat. And then her hungry gaze raised... and connected with Rothbury's. All thoughts flew straight out of her head. Looking at her from over his shoulder, he straightened, his smile twisting with arrogance. Despite the chill in the air, her cheeks felt as if they were on fire. How long had he been watching her in-depth perusal? Long enough, she supposed, if the heated gleam in his eyes was any indication at all. She blinked, shaking her head hurriedly, hoping by that action she was silently telling him, "No, I definitely was not looking at you." He answered her gesture by nodding slowly, telling her he knew exactly what she had been doing and that he had caught her in the act. She gave her head another insistent shake. Still looking at her from over his shoulder, he sauntered back to the carriage, his smile broadening. He lifted his shoulder as if to say, "I don't care. Look all you want." She shook her head again, tightly. He winked. She gulped. And then he set back to work with the other men to free the carriage.”

Masculine BeautyAdam FaramondCharlotte And AdamShameless FlirtAdmiring Beauty
Book:To Wed a Wicked Earl
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“How does electrolocation work, and what can we say about its representational and phenomenological qualities? Constant electric organ discharges emanating from the caudal region maintain a stable spatial voltage pattern over the skin surface. This voltage pattern changes when objects that have a resistance different from the surrounding water come within range of the signal and distort the field, resulting in changes of local electric voltages at particular skin loci. Objects can alter the stable electric discharge field in waveform and/or in amplitude, and weakly electric fish can detect both types of disruptions. These changes in local transepidermal electric current flow are recorded by the skin electroreceptors, which act as a 'retina' upon which an electric image of the object is projected. This image is then transduced, and the information is fed to regions of the brain that process higher-order features of objects. Whereas in humans the processing of higher-order features of objects take place in the cerebral cortex, in electrolocating fish these cognitive tasks are carried out in their hypertrophied cerebellum. The 'mormyrocerebellum' is so oversized that it accounts for the vast majority of the organism's total oxygen consumption, with metabolic expenditures exceeding that of any vertebrate. This, in turn, speaks to the great functional utility of electrolocation: all that brain stuff must be doing something computationally demanding and ecologically important.”

ElectrolocationMormyrocerebellum
Book:Contingency and Convergence: Toward a Cosmic Biology of Body and Mind
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“I’ve been a children’s book editor for over 25 years and one of the most common reasons I reject picture book manuscripts is that they rhyme badly. So why, for my first foray into writing a picture book myself, would I choose to write Go, Girls, Go! in rhyme??! Rhyming, we’re so often told – by editors, by agents, by fellow writers – is not encouraged. Bound to fail, hard to translate. But I love rhyming books. I love reading them, and I love publishing them. Turns out, I love writing them too." Frances Gilbert On Rhyming Picture Books in Goodreads”

Frances GilbertGo Girl
Book:Go, Girls, Go!
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