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Quote by Mwanandeke Kindembo

“We are afraid of what we do not know. Therefore, the secret of fear is in knowing as much as you can. Leaving all the dogmas behind you!”

Quote by Mwanandeke Kindembo

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Mwanandeke Kindembo

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“They say: 'We are all lame in the face of the truth. Once upon a time there was an authoritative teaching in the Church; now we are all seeking; this is the era of pluralism in the faith.' But the faith is not pluralist: a healthy pluralism may be allowed in theology, in the Liturgy, in other things, but never in the faith. Once it is established that God has revealed a truth, the answer is yes, for everyone, in every age: a yes with conviction and courage, without doubts or hesitations. And the idea that the truths of the faith are only a momentary expression of the conscience and life of the Church must be rejected with every strength. These truths are always valid even if it is always possible to understand them better and to express them with new formulas, clearer and more suited to the new times.”

“When you move to a new environment with cultural and social characteristics different from your own, it is only logical, that you loosen some of the knots of your religious doctrines, to embrace the new and vivid environment as much as you wish to be embraced by the environment.”

“In line with the total assault of scientific investigation and critical rationality on our most well-cherished and established intuitions, why should we expect the characteristics of reality to be trivial extensions of characteristics specific to the temporal-causal perspective of the subject? [...] Liberation from a model of time restricted to a particular contingent constitution does not rob the subject of its cognitive and practical abilities, but releases it from the shackles of its most entrenched dogmas about the necessity of the contingent features of its experience. In doing so, it sheds light on the prospects of what the subject of experience and the exercise of change in the world is and can be as it cognitively matures. The transition to a state where one is no longer afraid of being lost in time, having come to the realization that time accommodates no one, should be celebrated as the sign of rational maturity, rather than decried as a manifestation of the subject's impotency. It is in continuity with the critical attitude of rational agency to adopt a model of experience that can interrogate the most natural and established 'facts of experience' rather than corroborating them via the so-called fact that these are simply the ways in which we experience the world. As the extension of this interrogation, such a model should also enlarge the field of our experience, and in doing so, should theoretically and practically challenge popular yet puerile ideologies built around either a temporal account of progress or the second law of thermodynamics.”

“Truth doesn't sell, lies do, complexity does. But here's the thing. Lies sell in the guise of higher truth. That's why "love thy neighbor" is not a simple way of life, but an entire messed up institutionalized indoctrinating religion. Because if you forget all those frivolous dogmas, doctrines and stories, and simply embrace love thy neighbor as the supreme way of life, religious leaders won't have anything to sell you, and when they have nothing to sell you, they won't have any control over you.”

“The Jesus portrayed in the United States, Europe and many other parts of the world is, quite ironically, a homosexual Jesus from the Renaissance, because that's what Da Vinci and Michaelangelo, both gays, loved to paint in the churches. People often claim that there is no proof of this but how could there be any concrete proof? First of all, being a homosexual could get you to be burned alive in a public square, and second, only the Vatican would offer jobs to artists. So imagine having to work for a boss you hate and at the same time, while being afraid he knows about your personal life and kills you. The mental pressure of these artists must have been brutal, which is why they compensated for it by hiding meanings inside their art, and just as many musicians and other artists do today when they want to tell you something that can end their career. And what a greater way to take a piss at the Vatican than that of painting Jesus as the men they loved? That's exactly what they did. Today, christians worship gay men while Da Vinci and Michaelangelo are still laughing somewhere. Because that's what great artists do, they laugh at the dogmas of society.”