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“When Hammett turns to the respectable world, the world of respectable society, of affluence and influence, of open personal and political power, he finds only more of the same. The respectability of respectable American society is as much a fiction and a fraud as the phony respectable society manufactured by the criminals. Indeed, he unwaveringly represents the world of crime as a reproduction in both structure and detail of the modern capitalist society it depends on, preys off, and is part of. He not only continually juxtaposes and connects the ambiguously fictional worlds of art and writing with the fraudulently fictional worlds of society; he connects them, juxtaposes them, and sees them in dizzying and baffling interaction... It is into this bottomlessly equivocal, endlessly fraudulent and brutally acquisitive world that Hammett precipitates the Op.” — Steven Marcus