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Quote by Jennie Wexler

“Drew is the opening song on my favorite album. He’s the song that everyone loves, the song that draws me in and makes me want to listen to the whole album without stopping. He’s the catchy song with the great hook, fancy guitar solo, and soaring vocals. But Shane … Shane’s the hidden track. He’s the song I don’t listen to until I’ve devoured the whole album. He’s that quiet song with the unbelievable melody. The song that makes me understand myself a bit better. Once I discover a truly special hidden track, I never get sick of it.”

Quote by Jennie Wexler

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Where It All Lands

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Jennie Wexler

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“Le mal du pays.” The quiet, melancholy music gradually gave shape to the undefined sadness enveloping his heart, as if countless microscopic bits of pollen adhered to an invisible being concealed in the air, ultimately revealing, slowly and silently, its shape. This time the being took on the shape of Sara—Sara in her mint-green short-sleeved dress. The ache in his heart returned. Not an intense pain, but the memory of intense pain. What did you expect? Tsukuru asked himself. A basically empty vessel has become empty once again. Who can you complain to about that? People come to him, discover how empty he is, and leave. What’s left is an empty, perhaps even emptier, Tsukuru Tazaki, all alone. Isn’t that all there is to it?”

“The pieces of Cholly's life could become coherent only in the head of a musician. Only those who talk their talk through the gold of curved metal, or in the touch of black-and-white rectangles and taut skins and strings echoing from wooden corridors, could give true form to his life. Only they would know how to connect the heart of a red watermelon to the asafetida bag to the muscadine to the flashlight on his behind to the fists of money to the lemonade in a Mason jar to a man called Blue and come up with what all of that meant in joy, in pain, in anger, in love, and give it its final and pervading ache of freedom. Only a musician would sense, know, without even knowing that he knew that Cholly was free. Dangerously free. Free to feel whatever he felt--fear, guilt, shame, love, grief, pity. Free to be tender or violent, to whistle or weep.”

“The Dead Rock Star's Bar by Stewart Stafford I went for a drink in The Dead Rock Star's Bar, Phil Lynott was drinking whiskey in the jar, Jimi Hendrix was rocking the place, Elvis Presley was stuffing his face, Sid Vicious was grumpy and gruff, Freddie Mercury strutted his stuff, Marvin Gaye had plenty of soul, Lennon and Cobain compared bullet holes, Jim Morrison declared he was The Lizard King Buddy Holly sported an aeroplane wing, Such an array of talent leaves one's mouth agape, But they're all still alive on CD and tape, Wherever you live, you don't have to travel far, To have a damn good time at The Dead Rock Star's Bar. © Stewart Stafford, 1996. All rights reserved.”