Quote by Alexei Navalny

“This routine of "Come with me," "No," "Come," "No, I don't have to. Here is my lawyer," "No, come with me" is something I know so well I could repeat it in my sleep. What is important right now is to think strategically. I have a single-use mobile phone in my pocket (I feel it). Kira has the backpack with the laptop. I give the suitcase to Yulia; it is unlikely she will be detained too. That seems to be everything. I am ready. I say goodbye to Yulia, kissing her on the cheek. The standard dialogue has already reached the stage of "If you refuse to comply with the instructions of police officers, forcible action will be taken." There is no point in refusing to go with them and be dragged off by the arms and legs like at protest rallies. What if all they are planning to do is hand me a summons to appear in court? In fifteen minutes the whole confrontation would look pretty silly. I kiss Yulia again and go on my way, accompanied by an escort of police.... Everyone in Russia is familiar with the phrase "a theater performance for one spectator." It starts within a few seconds. Two characters in plain clothes turn on cameras, while a third (you call tell he is in charge from his jacket) produces some papers, goes over to the major, and begins solemnly intoning, "Comrade blah blah blah, I report that in the case of blah blah blah there is blah blah blah evidence, blah blah blah Navalny, blah blah blah search." Having absorbed this, the major turns to the border guard, who reports that based on a review of blah blah blah documents citizen Navalny has been identified. At this I start laughing at them. "Why are you behaving like lunatics? Who are you putting this shown on for? There's only me here; relax and speak normally," I say. They cannot relax, however, because of those two cameras filming the proceedings. Their superiors, who have scripted this performance, are invisibly present in their camera proxies. Nobody reacts to my words.”

Quote by Alexei Navalny