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“Much like Ros’s novels, then, The Room is remarkable for the way it seems to expose the absurd artifices of its form by getting everything about that form so flagrantly wrong. Wiseau’s failure to achieve the clichés he seems to aim for at the level of plot, dialogue, and performance eventually starts to look like aesthetic subversion.” — Mark O'Connell
Much like Ros’s novels, then, The Room is remarkable for the way it seems to expose the absurd artifices of its form by getting everything about that form so flagrantly wrong. Wiseau’s failure to achieve the clichés he seems to aim for at the level of plot, dialogue, and performance eventually starts to look like aesthetic subversion.