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Quote by Lisa Kleypas

“Additional flowers had been piled into a pair of massive baskets that were strapped across the back of Beatrix's mule, Hector. The little mule led the crowd at a dignified pace, while the women walking beside him reached into the baskets and tossed fresh handfuls of petals and blossoms to the ground. A straw hat festooned with flowers had been tied to Hector's head, his ears sticking out at crooked angles through the holes at the sides. "Good God, Albert," Christopher said ruefully to the dog beside him. "Between you and the mule, I think you got the best of the bargain." Albert had been freshly washed and trimmed, a collar of white roses fastened around his neck.”

Quote by Lisa Kleypas

Book:Love in the Afternoon
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Work

Love in the Afternoon

This book delves into the complexities of love and romance, focusing on the unique dynamics that unfold during the afternoon period. more

Author

Lisa Kleypas
Lisa Kleypas

Lisa Kleypas, born in 1964, is a renowned American romance novel author. Her works are known for their delicate emotional descriptions and captivating storylines, which have won the hearts of numerous readers. more

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“What do you suppose has happened to Captain Phelan?" Beatrix's older sister Amelia asked, after he had gone missing for three days. "From what I remember of the man, he was a social fellow who would have adored being the center of so much attention." "He's gaining even more attention by his absence," Cam pointed out. "He doesn't want attention," Beatrix couldn't resist saying. "He's run to ground." Cam lifted a dark brow, looking amused. "Like a fox?" he asked. "Yes. Foxes are wily. Even when they seem to head directly away from their goal, they always turn and make it good at the last." Beatrix hesitated, her gaze distant as she stared through the nearby window, at the forest shadowed by a harsh and backward spring... too much easterly wind, too much rain. "Captain Phelan wants to come home. But he'll stay aground until the hounds stop drawing from him." She was quiet and contemplative after that, while Cam and Amelia continued to talk. It was only her imagination... but she had the curious feeling that Christopher Phelan was somewhere close by.”

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Book:Love in the Afternoon
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“Christopher. It seemed the entire world stopped. Beatrix tried to compare the man standing before her with the cavalier rake he had once been. But it seemed impossible that he could be the same person. No longer a god descending from Olympus... now a warrior hardened by bitter experience. His complexion was a deep mixture of gold and copper, as if he had been slowly steeped in sun. The dark wheaten locks of his hair had been cut in efficiently short layers. His face was impassive, but something volatile was contained in the stillness. How bleak he looked. How alone. She wanted to run to him. She wanted to touch him. The effort of standing motionless caused her muscles to tremble in protest. She heard herself speak in a voice that wasn't quite steady. "Welcome home, Captain Phelan." He was silent, staring at her without apparent recognition. Dear Lord, those eyes... frost and fire, his gaze burning through her awareness. "I'm Beatrix Hathaway," she managed to say. "My family-" "I remember you." The rough velvet of his voice was a pleasure-stroke against her ears. Fascinated, bewildered, Beatrix stared at his guarded face. To Christopher Phelan, she was a stranger. But the memories of his letters were between them, even if he wasn't aware of it.”

Christopher PhelanBeatrix And Christopher
Book:Love in the Afternoon
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“It wasn't that he disliked her. Beatrix was an odd creature, but fairly engaging, and far more attractive than he had remembered. In fact, she had become a beauty in his absence, her gangly coltish shape now curved and graceful... Christopher shook his head impatiently, trying to redirect his thoughts. But the image of Beatrix Hathaway remained. A lovely oval face, a gently erotic mouth, and haunting blue eyes, a blue so rich and deep it seemed to contain hints of purple. And that silky dark hair, pinned up haphazardly, with teasing locks slipping free.”

Physical AttractionFeminine BeautyBeatrix HathawayChristopher Phelan
Book:Love in the Afternoon
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“Obviously you have no liking for Prudence," he began, "but if you-" "I've tried my best to like her. I thought if one peeled away the layers of artifice, one would find the real Prudence beneath. But there's nothing beneath. And I doubt there ever will be." "And you find Beatrix Hathaway superior to her?" "In every regard, except perhaps beauty." "There you have it wrong," he informed her. "Miss Hathaway is a beauty." Audrey's brows lifted. "Do you think so?" she asked idly, lifting the teacup to her lips. "It's obvious. Regardless of what I think of her character, Miss Hathaway is an exceptionally attractive woman." "Oh, I don't know..." Audrey devoted careful attention to her tea, adding a tiny lump of sugar. "She's rather tall." "She has the ideal height and form." "And brown hair is so common..." "It's not the usual shade of brown, it's as dark as sable. And those eyes..." "Blue," Audrey said with a dismissive wave. "The deepest, purest blue I've ever seen. No artist could capture-" Christopher broke off abruptly. "Never mind. I'm straying from the point.”

Physical AttractionBeatrix HathawayChristopher PhelanPrudence Mercer
Book:Love in the Afternoon
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“Did you come to see my father?" "No, I... came to call on Miss Hathaway." "Are you one of her suitors?" Christopher gave a decisive shake of his head. "You might be one," the boy said wisely, "and just not know it yet." Christopher felt a smile- his first genuine smile in a long time- pulling at his lips. "Does Miss Hathaway have many suitors?" "Oh, yes. But none of them want to marry her." "Why is that, do you imagine?" "They don't want to get shot," the child said, shrugging. "Pardon?" Christopher's brows lifted. "Before you marry, you have to get shot by an arrow and fall in love," the boy explained. He paused thoughtfully. "But I don't think the rest of it hurts as much as the beginning." Christopher couldn't prevent a grin.”

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Book:Love in the Afternoon
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“Christopher stood facing Beatrix, trying not to gape. And failing utterly. She might as well have been standing there in her undergarments. In fact, that would have been preferable, because at least it wouldn't have seemed so singularly erotic. He could see the feminine outline of her hips and thighs clad in the masculine garments. And she didn't seem at all self-conscious. Confound her, what kind of woman was she? He struggled with his reaction to her, a mixture of annoyance, fascination, and arousal. With her hair threatening to tumble from its pins, and her cheeks flushed from exertion, she was the epitome of glowing female health.”

Physical AttractionFeminine EnergyBeatrix HathawayChristopher Phelan
Book:Love in the Afternoon
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“She swat his hand away as he touched her breast again. "Stop that. I just want to-" Undeterred, he had gone for the button placket of her shirt. She scowled in exasperation. "All right, then," she snapped, "do as you please! Perhaps afterward we could manage a coherent discussion." Twisting beneath him, she flopped onto her stomach. Christopher went still. After a long hesitation, she heard him ask in a far normal voice, "What are you doing?" "I'm making it easier for you," came her defiant reply. "Go on, start ravishing." Another silence. Then, "Why are you facing downward?" "Because that's how it's done." Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, "Isn't it?" His face was blank. "Has no one ever told you?" "No, but I've read about it." Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, "From what books?" "Veterinary manuals. And of course, I've observed the squirrels in springtime, and farm animals and-" She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement. Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing. "Look here," she said in a businesslike manner, "I've read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all-" She broke off and frowned. "Why are you laughing at me?" Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. "Beatrix. I'm... I'm not laughing at you." "You are!" "No, I'm not. It's just..." He swiped a tear from the corner of his eye, and a few more chuckles escaped. "Squirrels..." "Well, it may be humorous to you, but it's a very serious matter to the squirrels." That set him off again. In a display of rank insensitivity to the reproductive rights of small mammals, Christopher had buried his face in a pillow, his shoulders shaking. "What is so amusing about fornicating squirrels?" Beatrix asked irritably. By this time he had gone into near apoplexy. "No more," he gasped. "Please." "I gather it's not the same for people," Beatrix said with great dignity, inwardly mortified. "They don't go about it the same way that animals do?" Fighting to control himself, Christopher rolled to face her. His eyes were brilliant with unspent laughter. "Yes. No. That is, they do, but..." "But you don't prefer it that way?" Considering how to answer her, Christopher reached out to smooth her disheveled hair, which was falling out of its pins. "I do. I'm quite enthusiastic about it, actually. But it's not right for your first time." "Why not?" Christopher looked at her, a slow smile curving his lips. His voice deepened as he asked, "Shall I show you?" Beatrix was transfixed.”

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Book:Love in the Afternoon
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“In the excitement of all these revelations, Phelan, one could easily be swept away. Are you very sure of your feelings for Beatrix? Because she is-" "Unique," Leo supplied. "I know that." Christopher felt his mouth twitch with a trace of humor. "I know that she steal things unintentionally. She wears breeches, and references Greek philosophers, and has read far too many veterinary manuals. I know that she keeps the kinds of pets that other people pay to have exterminated." Thinking of Beatrix, he felt an ache of yearning. "I know that she could never reside in London, that she could only thrive by living close to nature. I know that she is compassionate, intelligent, and brave, and the only thing she truly fears is being abandoned. And I would never do that, because I happen to love her to distraction.”

Beatrix HathawayChristopher Phelan
Book:Love in the Afternoon
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“And an image had appeared in Christopher's head... not the usual ones of the war, but a peaceful one... Beatrix's face, calm and intent, as she had tended a wounded bird the previous day. She had wrapped the broken wing of a small sparrow against its body, and then showed Rye how to feed the bird. As Christopher had watched the proceedings, he had been struck by the mixture of delicacy and strength in Beatrix's hands. Bringing his attention back to the ranting woman before him, Christopher pitied the man who eventually became Prudence's husband. Prudence's mother had come into the parlor then, alarmed by the uproar, Christopher had taken his leave soon after, regretting every minute he had ever wasted in Prudence Mercer's company.”

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Book:Love in the Afternoon
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