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“In the burning house you continue to do what you had done before—but you cannot avoid seeing that the flames now show you bare. Something has changed, not in what you do but in the way in which you let it go in the world. A poem written in the burning house is truer, more right, because no one can hear it, because nothing ensures that it can escape the flames. But if, by chance, it finds a reader, then that reader will in no way be able to draw back from the apostrophe that calls out from that helpless, inexplicable, faint clamor. Only someone who is unlikely ever to be heard can tell the truth, only someone who speaks from within a house that the flames are relentlessly consuming.” — Giorgio Agamben

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In the burning house you continue to do what you had done before—but you cannot avoid seeing that the flames now show you bare. Something has changed, not in what you do but in the way in which you let it go in the world. A poem written in the burning house is truer, more right, because no one can hear it, because nothing ensures that it can escape the flames. But if, by chance, it finds a reader, then that reader will in no way be able to draw back from the apostrophe that calls out from that helpless, inexplicable, faint clamor. Only someone who is unlikely ever to be heard can tell the truth, only someone who speaks from within a house that the flames are relentlessly consuming.
— Giorgio Agamben