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“The little orange, trapezoidal, translucent sail on the river, the boatmen keeping their balance. Further on, the bride in her palanquin, and the husband on horseback ahead of her. A whole parade of luminous figures. In fact, what we have here is a fake traditional Korean wedding and a TV shoot. But whether or not the ritual is authentic, there is the same racial beauty in all the faces. The Diagonal of the Madman, The Parallax of Evil, The Ecliptic of Sex, The Hypotenuse of Death. Given the low likelihood of a meeting in this life or a future existence, the only hope is for a meeting in a previous life.” — Jean Baudrillard
The little orange, trapezoidal, translucent sail on the river, the boatmen keeping their balance. Further on, the bride in her palanquin, and the husband on horseback ahead of her. A whole parade of luminous figures. In fact, what we have here is a fake traditional Korean wedding and a TV shoot. But whether or not the ritual is authentic, there is the same racial beauty in all the faces.
The Diagonal of the Madman,
The Parallax of Evil,
The Ecliptic of Sex,
The Hypotenuse of Death.
Given the low likelihood of a meeting in this life or a future existence, the only hope is for a meeting in a previous life.