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Lydhia Marie

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“Samir loves Joe’s face. He studies it every day in class: a face as old as his own but already, in eighteen years, the cli s and hills and odd proportions of its geography have been shaped by life’s weather. Samir likes to observe the ever-watchful green eyes, hidden in their shadowy alcoves over the at nose and cheekbones, and the heavy brow that scrunches up with Joe’s moods – all those sculptural planes could have been carved by Easter Islanders. en there’s the pout of his lips, the pucker of their concentration or the twist of their anger. But most of all, Samir examines the thoughts as they cross the wide-open landscape of the face. Tries hard to read their cloud shapes from the merest shadow.”

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“Layla had always just been there. In my life. I wasn't sure who said, 'hi,' first, or maybe who smiled at who first—all I really remembered was staring at her, and her staring back at me, neither of us looking away. Both of us standing frozen, and life falling into the background with a distant hum. As if the world had stopped spinning. Just for us. I remembered not caring if it had. She'd seemed so familiar, and even as a little kid, I'd known she was special. Like something bigger than me, older than me, had taken over my emotions in a way I didn't understand. She just felt like ... home. I could have gazed into her eyes forever. Happy to stand in that powerless state for the rest of my life”

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“In a really good thrift store you feel like you're in a room with all of these stories, and it's up to you to go and find the stories that you want to bring home with you. And then when you wear the clothes, they help you tell a new story, but they're bringing that old part with them and with you and you're benefiting from that in a way that you can't even really understand.”

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“I picked up the blue tube again, unscrewed the cap, and squeezed a perfect line of paint onto the palate. As soon as I brushed it on the canvas, I was responsible for it, for the inevitable imperfections. My world had always been like that paint, left on a palate. That color was a passive observer. But not it wanted to make something of itself. And I was terrified.”

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