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“She leads me to a parlor room, where tailors are pinning up a white, lacy gown, with long sleeves and a layered skirt, made in the style of the year 1917. The same year the Romanov Empire fell. At their request, I slip it on and step on a stool in the middle of the room. My throat clenches when I gaze into the golden mirror. I’m a living impression of Empress Alexandra, wife of Nicholas II. I look like I’ve stepped out of the black-and-white pictures and transported myself to another time.” — Megan Linski

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She leads me to a parlor room, where tailors are pinning up a white, lacy gown, with long sleeves and a layered skirt, made in the style of the year 1917. The same year the Romanov Empire fell. At their request, I slip it on and step on a stool in the middle of the room. My throat clenches when I gaze into the golden mirror. I’m a living impression of Empress Alexandra, wife of Nicholas II. I look like I’ve stepped out of the black-and-white pictures and transported myself to another time.
— Megan Linski