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Quote by Vladimir Nabokov

“The Russian reader in old cultured Russia was certainly proud of Pushkin and of Gogol, but he was just as proud of Shakespeare or Dante, of Baudelaire or of Edgar Allan Poe, of Flaubert or of Homer, and this was the Russian reader's strength. I have a certain personal interest in the question, for if my fathers had not been good readers, I would hardly be here today, speaking of these matters in this tongue.”

Quote by Vladimir Nabokov

Book:Lectures on Russian Literature
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Work

Lectures on Russian Literature

This book offers in-depth analysis and discussion of significant Russian literary texts and authors, providing a scholarly perspective on the evolution of Russian literature. more

Author

Vladimir Nabokov
Vladimir Nabokov

Russian-born American novelist, best known for his novel 'Lolita'. Nabokov is renowned for his unique literary style and profound use of language and symbolism. more

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“En Union Soviétique, quand quelque chose ne va pas, dans un domaine d’activité quelconque, on pense d’abord structures. On l’a vu en août 1972, après le sévère réquisitoire du Comité Central du Parti contre la production cinématographique. Des mesures de réorganisation avaient tout de suite été prises. Un nouveau patron était nommé à la tête de Goskino. Deux mois plus tard, l’Union des Cinéastes se réunissait à Moscou. Un débat très libre s’ouvrait qui étonnait les correspondants étrangers par sa franchise. On y entendait Alexandre Medvedkine (Le Bonheur) s’interroger sur la notion de « film politique ». En même temps qu’étaient critiquées certaines mesures de réorganisation, on se félicitait de la création d’un « studio central des scénarios » susceptible d’assainir les rapports (difficiles, paraît-il) entre scénaristes et réalisateurs. Mais l’interrogation majeure de cette rencontre était : « Existe-t-il un cinéma pour les masses et un cinéma pour les élites ? ». On conviendra que c’était là une question d’importance. Surtout en Union Soviétique. Répondre oui c’était reconnaître l’existence possible de plusieurs publics avec ce que cela implique de conséquences sur la conception, la production, la distribution des films dans un appareil d’État qui fait volontiers du populisme une vertu.”

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“Ex-Foreign Legionnaires in London, for instance, often use the same pubs, but more than that they all know where to contact each other if ever they’re threatened. If they’re ever in trouble - and by nature of the life they’ve led that’s highly probable - members of their tribe will immediately come from all over London to lend robust assistance. There are similar tribes in the underbelly of every city. I just happen to know about ex-Legionnaires because I’ve come across a couple, drank with them and listened to their stories. It’s like sitting with pirates, fortune-hunters, bank robbers and Gypsies”

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