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Quote by Mitta Xinindlu

“WOMANHOOD IS NOT MAKE-UP Your uterus is your symbol of womanhood. Your womb is a significant mark of your divinity. Your monthly menstruation is not just bleeding, but a sign of life. Your menstruation is a reminder that you can carry creation within you. No one else has these things except you, woman. Make-up doesn’t make you a woman. Clothes don’t make you a woman. It is the crown on your womb and the power within your uterus that make you a woman. Your birth canal was created to stretch and deliver life. It was designed to bring children into this world. And because you are a divine woman, it returns to its original form and function with grace and ease. You're a woman because your womanhood cannot be replicated, no matter what. You're the ultimate bearer of life. You're chosen to birth both men and women. The continuation of nature flows through you. Yours in womanhood,”

Quote by Mitta Xinindlu

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Mitta Xinindlu

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“Agriculture, however, is not and never has been a single monolithic interest in our society. We have always known differences among farmers of different regions, different crops, and different incomes. The difference in the forms of political organization have been determined principally by the manner in which economic differences have been resolved. (pp. 15–16)”

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“It seems fitting, however, that the single Western film which most unambiguously endorses the agrarian ideal, The Covered Wagon, should contain one of the cinema screen's most graphic attacks on Industrialism. The film's intertitles inform viewers that one of the most formidable hazards facing the character of Wingate (Charles Stanton Ogle), the leader of the wagon train, is greed arising from the California gold strike of 1849. Several pioneers opt to dig gold in California rather than plow land in Oregon. In a visual composition symbollically resonant with the importance and irrevocability of that choice, the wagon train divides, one part going north and the other south, while visible in the foreground lie the discarded plows of those who have foresaken the agrarian ideal. These shots from a silent Western summarise a major split in the American psyche.”

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Book:Cinema, Culture, Scotland: Selected Essays
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