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Quote by April Adams

“On the far side of the bay was the command station that controlled the door, which was currently semi-open. Rather than the normal closed maw of steel, there was a network of pulsing gold veins crisscrossing the gaping mouth of black - a nitrogen membrane keeping the molecular air contained and pressurized while allowing aircraft to pass through.”

Quote by April Adams

Work

Drawing the Dragon

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Author

April Adams

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“Death still exists; what has disappeared is the certainty that everything will eventually end sooner or later. There's time to shave your head, time to let the gray hairs grow, time to get pregnant, to torture, to be the world champion, and to rewrite the encyclopedia. With patience, a single person could build the pyramids; with perseverance, another single person could knock them down. I guess destruction is another form of love.”

“Evolution built advanced minds not once, but at least twice, gifting them not only to mammals and their kin, but also to cephalopods, and especially to the animal at the apex of ocean intelligence: the octopus. These are animals so unlike us that most aliens we imagine in our fantasies about outer space have more in common with humans. But there is no denying their sentience. I believe the first aliens we encounter will rise to greet us from the sea.”

“How far in the future TPMR [The Pleasure Model Repairman] is set is a trickier issue. The question goes right to the center of the maze, where the walls are painted with the glyphs of the thematic archetypes that matter to me most. Perception of time, the interplay of memory and identity, nostalgia as societal glue, and the pulpy residue of the-more-things-change-the-more-they-stay-the-same. Of course, there is a straightforward answer that skirts all this voodoo babble, and it’s that this world must be very far into the future, indeed, given the sophistication of artificial beings and the sprawling family of development worlds called Earth.”

“The narrative rigor of writing screenplays to a precise length, with story beats at all the right places has, I believe, made me a better novel writer. I feel very comfortable with the rhythms of the modern Hollywood movie, a sequence of storytelling expectations so many of us have internalized to the point that they can be deemed presumed knowledge in one's reader. It makes world building so much easier than it must have been for, say, Ray Bradbury, or even P K Dick. I feel quite comfortable straying from the narrative melody in my work, now, confident I can find my way home again, or can make my hat my home, story-wise, and that's something I tie in large measure to my screenwriting experience.”