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Quote by Mitta Xinindlu

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Mitta Xinindlu

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“There’s a dream I keep having,“ Sheridan whispered into the telephone. “The dream has always been the same—until tonight.” “And what happened tonight?” asked Lil’ John. Sheridan hesitated, his words stumbling out in tentative phrases: “The man in my dream . . . he spoke to me for the first time . . . he told me of a sacred gift that had been lost . . . a gift that could save the world.” “Your dream,” John urged gently. “Is the gods conspiring to give you freedom, just like the elders sang that night in the Sundance ceremony:” When worlds collide There sounds a tolling A call to rise And seize the moment The gods conspire To give us freedom When worlds collide The journey has begun Sheridan pulled at the collar of his t-shirt, Lil’ John’s words suffocating him. Pushing back from the precipice of dread, Sheridan strained to speak, his husky words weak and staggering: “What are you saying?” “Your search for the sacred gift has already begun . . .”

“The protagonist of Grey Eminence was Amália, the world's first climate change artist* and the first person to exceed a billion followers on Instagram, making her a sort of global empress, unprecedented in the history of Earth. She was also Portugal's foremost performer of fado, a gold medalist in rhythmic gymnastics, excellent at baking, and capable of taming the aurochs she summoned back from extinction to revivify Lascaux. *What the author means here is that Amália was the first to view climate change itself as an art. Her oeuvre was above all a radical reinterpretation of the still life. She practiced extinction as well as large-scale action sculptures that undid or outmaneuvered natural processes such as decomposition and promoted catastrophes when opportunities--- weather-related or other--- arose.”