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Quote by Fernando Pessoa

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Fernando Pessoa
Fernando Pessoa

Portuguese poet known for his unique narrative style and rich inner world. Fernando Pessoa is considered one of the most influential writers of the 20th century, and his works are still widely studied and discussed today. more

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“Nelle notti d’inverno, mentre faceva cuocere la minestra nel camino, soffriva la nostalgia del caldo del suo retrobottega, il ronzio del sole nei mandorli polverosi, il fischio del treno nel sopore della siesta, proprio come a Macondo soffriva la nostalgia della minestra invernale nel camino, del richiamo del venditore di caffè e delle lodole fugaci della primavera. Stordito da due nostalgie opposte come due specchi, perse il suo meraviglioso senso della irrealtà, e alla fine raccomandò a tutti che se ne andassero da Macondo, che dimenticassero tutto quello che lui gli aveva insegnato del mondo e del cuore umano, che se ne fottessero di Orazio, e che in qualsiasi luogo si fossero trovati si ricordassero sempre che il passato era menzogna, che la memoria non aveva vie di ritorno, che qualsiasi primavera antica è irrecuperabile, e che l’amore più sfrenato e tenace era in ogni modo una verità effimera.”

“Aegean Islands 1940-41 Where white stares, smokes or breaks, Thread white, white of plaster and of foam, Where sea like a wall falls; Ribbed, lionish coast, The stony islands which blow into my mind More often than I imagine my grassy home; To sun one's bones beside the Explosive, crushed-blue, nostril-opening sea (The weaving sea, splintered with sails and foam, Familiar of famous and deserted harbours, Of coins with dolphins on and fallen pillars.) To know the gear and skill of sailing, The drenching race for home and the sail-white houses, Stories of Turks and smoky ikons, Cry of the bagpipe, treading Of the peasant dancers; The dark bread The island wine and the sweet dishes; All these were elements in a happiness More distant now than any date like '40, A. D. or B. C., ever can express.”

“I go back to Oberlin in the dead of winter to give a "convocation speech" in Finney Chapel, the largest and most historic of campus structures. In a subconscious nod to my college experience I forget to pack both tights and underwear and have to spend the weekend going commando in a wool skirt and knee socks. I am toured around the school like a stranger by a girl who didn't even go here. We stop at a glossy new cafe for tea and scones. She asks if I want a tour of the dormitories- no, I just want to wander around alone and maybe cry.”

“I talked yesterday about caring, I care about these moldy old riding gloves. I smile at them flying through the breeze beside me because they have been there for so many years and are so old and so tired and so rotten there is something kind of humorous about them. They have become filled with oil and sweat and dirt and spattered bugs and now when I set them down flat on a table, even when they are not cold, they won't stay flat. They've got a memory of their own. They cost only three dollars and have been restitched so many times it is getting impossible to repair them, yet I take a lot of time and pains to do it anyway because I can't imagine any new pair taking their place. That is impractical, but practicality isn't the whole thing with gloves or with anything else.”