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“Thirty-Three If the martyr is made when the breaking heart breaks open, and one holds in the crib of her palm the ghost of something as singular as last night's argument, then what was mystery is worse—the advent of the end. They sleep in the sea of a bed, blue as breath, the tangle of needle-net holding them close. And if they dance, it is like lanterns on a lake, as nothing lasts for very long, so frail, those passive vessels. Imagine the elemental glow and a city of stars still forming, the work in progress of heaven like the swirl of color in a vanity rose: where one shade ends the other may begin, or not, its own red. She scowls her lover's scowl. When Christ comes down from the mountain, he marches to Jerusalem unaware. This is how the dead get by, and the dying make due: like anyone, they are preserved with such affection as to disenchant their grief.” — Jill Alexander Essbaum

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Thirty-Three If the martyr is made when the breaking heart breaks open, and one holds in the crib of her palm the ghost of something as singular as last night's argument, then what was mystery is worse—the advent of the end. They sleep in the sea of a bed, blue as breath, the tangle of needle-net holding them close. And if they dance, it is like lanterns on a lake, as nothing lasts for very long, so frail, those passive vessels. Imagine the elemental glow and a city of stars still forming, the work in progress of heaven like the swirl of color in a vanity rose: where one shade ends the other may begin, or not, its own red. She scowls her lover's scowl. When Christ comes down from the mountain, he marches to Jerusalem unaware. This is how the dead get by, and the dying make due: like anyone, they are preserved with such affection as to disenchant their grief.
— Jill Alexander Essbaum