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Quote by Neal Shusterman

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Thunderhead

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Neal Shusterman
Neal Shusterman

Neal Shusterman is an acclaimed American author born on November 12, 1962. Known for his profound themes and imaginative storytelling, his works span across genres such as science fiction, fantasy, and young adult literature. more

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“At one point we would have called these affairs consensual, for they were, and were conducted with my vague understanding that they were happening. Now, however, young women have apparently lost all agency in romantic entanglements. Now my husband was abusing his power, never mind that power is the reason they desired him in the first place. Whatever the current state of my marriage may be, I still can't think about it all without my blood boiling. My anger is not so much directed toward the accusations as it is toward the lack of self-regard these women have - the lack of their own confidence. I wish they could see themselves not as little leaves swirled around by the wind of a world that does not belong to them, but as powerful, sexual women interested in engaging in a little bit of danger, a little bit of taboo, a little bit of fun. With the highly objectionable move toward a populist insistence of morality in art, I find this post hoc prudery offensive, as a fellow female.”

PowerRiskAgencyConsentTaboo
Book:Vladimir
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“By pointing to the captain’s foolhardy departure from standard procedure, the officials shielded themselves from the disturbing image of slaves overpowering their captors and relieved themselves of the uncomfortable obligation to explain how and why the events had deviated from the prescribed pattern. But assigning blame to the captain for his carelessness afforded only partial comfort, for by seizing their opportunity, the Africans aboard the Cape Coast had done more than liberate themselves (temporarily at least) from the slave ship. Their action reminded any European who heard news of the event of what all preferred not to contemplate too closely; that their ‘accountable’ history was only as real as the violence and racial fiction at its foundation. Only by ceaseless replication of the system’s violence did African sellers and European buyers render captives in the distorted guise of human commodities to market. Only by imagining that whiteness could render seven men more powerful than a group of twice their number did European investors produce an account naturalizing social relations that had as their starting point an act of violence. Successful African uprisings against European captors were of course moments at which the undeniable free agency of the captives most disturbed Europeans—for it was in these moments that African captives invalidated the vision of the history being written in this corner of the Atlantic world and articulated their own version of a history that was ‘accountable.’ Other moments in which the agency and irrepressible humanity of the captives manifested themselves were more tragic than heroic: instances of illness and death, thwarted efforts to escape from the various settings of saltwater slavery, removal of slaves from the market by reason of ‘madness.’ In negotiating the narrow isthmus between illness and recovery, death and survival, mental coherence and insanity, captives provided the answers the slave traders needed: the Africans revealed the boundaries of the middle ground between life and death where human commodification was possible. Turning people into slaves entailed more than the completion of a market transaction. In addition, the economic exchange had to transform independent beings into human commodities whose most ‘socially relevant feature’ was their ‘exchangeability’ . . . The shore was the stage for a range of activities and practices designed to promote the pretense that human beings could convincingly play the part of their antithesis—bodies animated only by others’ calculated investment in their physical capacities.”

SlaveryAgencyFree SpiritDehumanization
Book:Saltwater Slavery: A Middle Passage from Africa to American Diaspora
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“Working on these books helped me make sense of this place and what had happened to us. It was my way of processing and even reclaiming the power to tell the world who I was in my own words, not the interrogators'. They could control my life, but I wouldn't allow them to define it.”

WritingAgencyTelling Your StorySelf DefinitionGuantánamoGuantánamo Bay
Book:Don't Forget Us Here: Lost and Found at Guantanamo
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“This story of ordinary men is not the story of all men. The reserve policemen faced choices, and most of them committed terrible deeds. But those who killed cannot be absolved by the notion that anyone in the same situation would have done as they did. For even among them, some refused to kill and others stopped killing. Human responsibility is ultimately an individual matter.”

WarResponsibilityKillingAgencyAccountability
Book:Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland
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“We started our inquiry into the aesthetics of games with various accounts that tried to subsume games under more familiar forms of art - fictions, conceptual art, and the like. But, I've argued, some of the most important kin to game design are actually urban planners, and government designers. All these are attempts to cope and corral the agency of users, to achieve certain effects. Games are an artistic cousin to cities and governments. They are systems of rules and constraints for active agents. But game designers have a trick up their sleeves that the designers of cities and governments do not. They can substantially design the nature of agents who will act within them. The medium of agency is active, then, in two directions. It creates a distinctive recalcitrance - the recalcitrance of agential distance. And it offers a a distinctive sort of solution - the manipulation of agency.”

ArtGovernmentGamesAgencyCity
Book:Games: Agency As Art
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“The African as immigrant was not an inevitable by-product of the traffic in human commodities but rather a creation of his or her own arduous making. It is this that distinguishes African displacement in the Atlantic slave trade from all other emigration. Slaves’ full personhood was the crux of the contest between Africans and those who commodified them. Traders and masters alike confronted the universal contradiction inherent in the idea of human beings as property; conceding that the slave had a will, in order to better devise means to control it, was not an acknowledgement of the slave’s personhood. The African slave, a victim of forced migration, cannot, then, be taken for granted as immigrant subject. This displaced being had to restore through her unassisted agency the pulse of social integration that saltwater slavery threatened to extinguish. That the Africans enslaved in America were immigrants was thus not an axiomatic truth, but rather one Africans had to fight for. Those who lived to walk away from the slave ship had to address the problem of their unique displacement and alienation. They did so in three ways that gave distinctive shape to their effort to build meaningful life in a new world. First, they engaged with the cognitive problem of orientation: Where are we now that we have escaped the slave ship? Second, they created kinship and community out of the disaggregated units remaining after the market’s dispersal of its human wares. Third, they came to terms with the saltwater journey’s haunting imprint on their communities, regularly reinforced by the slave ships’ return to deposit still more saltwater slaves on these unfamiliar shores.”

CommunitySlaveryImmigrationAgencyPersonhood
Book:Saltwater Slavery: A Middle Passage from Africa to American Diaspora
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