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“All facts are not known to be composed but tight and young to a point. Death is nearing me, I feel that I see that, they want that. ME- watches the doors open to admit me in the rush upwards. The doors slide closed behind him. Then a muffled red laser-ROUND like an endless machine gun I hear a kid yells out. I walk and not look, as they tumble down in a lined-up row, all death no reason. Turns back to the screens. YOU- I gave you an order... you the order not to kill her I ran to the desk, of the hands that run the government, robotics departments. ‘Yes- we hear your cries out for help yet that rain the math that we can, or you don’t have.’ FREAK YOU! She has by the tie, I don’t see kill your life, that you don’t even understand, I think we can see more than enough looking over the wall screens, at the wastes. You killed my baby girl off- Kantilla! The Robot did not us, she was one point away from life, pushed back towards the door. The gun on my back- go or die. Killer robots, not of the laws, I never thought it possible. Shaking in its hand, I see as mothers cry. Happy for the clean-up as they say. Bodies burnt in a large firebox in the mid-city, see the black smoke for kilometers. Mass graves are wanted and have been in place now, it’s all the same no name to be remembered by, just a large hologram in the full finger, saying lines- as I love you, on your wrist is not life to me or having them here. I am desperate and unclear, and incompatible. She touches the WALL PANEL making her way back to her appearance in the high rise, without her young life. The doors slide open. The Robot, said I am sorry for your loss today, ‘Anything I can do,’ as she goes and weeps, ‘Yeah, FREAK OFF!” — Marcel Ray Duriez