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Quote by Neeta Satam

“We should strive to focus our lens on what connects us as humans as opposed to our differences. In doing so, not only can we challenge the Orientalist and colonial aspects of traditional photographic narratives, but we can also create a new visual legacy marked by equitable discourse.”

Quote by Neeta Satam

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“In our time photojournalists were as important as the writers. Today not so. Photojournalism is diminishing. Now everyone is a free artist, which can only be in photography. For he is taking pictures! Releases the shutter and becomes an artist. Godsend people they are, otherwise the world was doomed. They are so significant. I fear bumping into one of these celebrities walking in the street, which would be very disrespectful indeed.”

Photography Photojournalism

Book:Fotocep

Source: Fotocep

“When you raise the camera to your eye you become responsible for contextualizing the history of the person you are photographing. It is critical that photographers take that responsibility as seriously as they do the photograph itself. Stories need to be approached with intellectual curiosity rather than a mere visual curiosity. It is also critical they consider the people they are photographing as collaborators, not “subjects.”

Photography Ethics Photographer Photojournalism Neetasatam

Author:Neeta Satam

“Finding a protest without placards is like photographing a hippie without a bong.”

Photojournalism Steve Merrick Stevesevilempire

Author:Steve Merrick

“Visual violence is the impact caused by the constant, unrelenting and dehumanizing way Black and Brown skinned people are depicted visually. If it’s not poverty, it’s plight. If it’s not plight, it’s pain. If it’s not pain, it’s poverty.”

Violence Photography Photojournalism Theblackgaze

Author:Shaun Connell

“Engrave this Quote Psychic automatism in its pure state, by which one proposes to express -- verbally, by means of the written word, or in any other manner -- the actual functioning of thought. Dictated by the thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern.”

Book:Surrealist Manifesto

Source: Surrealist Manifesto

“FIGURA DE CASCABELES. (Tembloroso.) ¿Y si yo me convirtiera en pez luna? FIGURA DE PÁMPANOS. (Levantándose.) Yo me convertiría en cuchillo. En un cuchillo afilado durante cuatro largas primaveras.”

Book:El público

Source: El público

“Hebdômeros desconfiava da originalidade, tanto quanto da fantasia: "Não se deve galopar demais na garupa da fantasia -- dizia ele -- o que é preciso é DESCOBRIR, pois, descobrindo, torna-se a vida possível no sentido de reconciliá-la com sua mãe, a ETERNIDADE; descobrindo, paga-se seu tributo ao minotauro que os homens chama de Tempo...”

Surrealism Surrealismo Surréalisme Surréaliste

Book:Hebdomeros

Source: Hebdomeros

“Because stories lie hidden inside other stories, and we always know more about any given thing than we think we do, even if the only thing we think we know is nothing.”

Influence Experimental Film Gemma Files

Book:Experimental Film

Source: Experimental Film

“If we could stop thinking of 'meaning' and 'purpose' as artifacts of some divine creative act and see them instead as the yield of our own creative future, they become goals, intentions and processes very much in reach rather than the shadows of childlike, superstitious mythology.”

Inspirational Science

Author:Douglas Rushkoff

“Bards of passion and of mirth, You have left your souls on earth! You have souls in heaven too, Double -lived in regions new?”

Immortality And Mortality

Author:John Keats