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Quote by Karl Ove Knausgård

“There's no difference between pulp fiction and highbrow fiction, one is as good as the other, the only difference is the aura they have, and that's determined by the people who read the stuff, not by the book itself. There's no such thing as 'the book itself.”

Quote by Karl Ove Knausgård

Book:Min kamp 5
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Min kamp 5

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Karl Ove Knausgård

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“For two weeks every August, the normally private Charlotte Square opens its gates to admit the literary masses. Huge white tents block views of the iron railings that normally keep everyone out, and picnic tables and pastel deck chairs circle the equestrian statue of Prince Albert in the middle of the lawn, inviting readers to relax with their newest signed novel. The tents fill with crowds to see every sort of author: high-flying politicos touting bestselling memoirs; writers of fantasy, chick-lit, sci-fi, young adult (and every possible combination of those). Authors and illustrators enthrall throngs of preschoolers and parents; up-and-comers present their work for appreciative and encouraging audiences. Books are signed by the hundreds and set out for sale in the inviting bookshop tents. People bask in the sunshine, when there is any, or gather in the café tent and grumble good-naturedly about the rain. They shake hands; gush "I love your work"; add to their "to be read" lists, and leave carrying new hardbacks in handy Book Festival-branded tote bags.”

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Book:All Stirred Up
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“As it happens, I have a terrible weakness for books." "What kinds of books?" "All kinds." Her white shoulders lifted in a charming little shrug, momentarily fascinating him. "History, science, natural philosophy." "Really?" Born and bred for action, he had never been much of a scholar himself. "Oh, yes. The ancients. Traveler's tales. And... Gothic novels," she admitted, biting her lip with an impish twinkle in her eyes. "Ghosts and curses and such.”

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Book:My Dangerous Duke
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“When you create a genre—which is not a movement—because it has no past—and if it has a past—its past is pregnant with a future bigger than its past—its past is its post-creation—only a point of departure—it created modes of thinking. A genre has in itself movements, generations—and after all these concepts expire in time—the genre—that is an artifact—that is a fact made shift—it doesn’t belong to a date—it is not dated—it includes all the expirations that expire in its belly—and it is still pregnant with new beginnings.”

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Book:Putinoika
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