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Quote by Lailah Gifty Akita

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Pearls of Wisdom: Great mind

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Lailah Gifty Akita

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“Still, I was thinking that this was all wrong, despite feeling so nice, for once again one of my most sacred and deepest erotic fantasies was brutally being shattered, and once more it was all because of Ami. After all, it had been one of my fondest dreams, as a teenager, to lie in bed cuddling with a cute girl, or even with Yumi. Of course, in those many imaginations, we were both naked and we were having wild passionate sex as well as cuddling, but there before me at that very moment was the sad pathetic reality.”

SexImaginationFantasyCuddlingErotic FantasyPathetic RealityShattered IllusionsTeenage Dreams
Book:Sukiyaki
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“I write romance stories and although I want it to be a beautiful work of art, I am afraid that I will live in the story I created in my mind. It's all in my mind I know, but sometimes, the romance becomes too ideal and realistic for me that I soon fall for the hero that was just a product of my imagination. I think that is both a fearful obstacle and a proof that somehow, you are succeeding to touch a reader's heart - even if it is yours.”

LoveWritingHeartPhilosophyDreamRomanceFearImaginationHeroRomanticObsessionConfusionLive In The MomentAuthorsObstacleFear Of UnknownLove InterestNicholaa SpencerRomance Writers Of AmericaAuthor Nicholaa Spencer
Author:Nicholaa Spencer
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“For Merleau-Ponty, the phenomenology of the human body, the very phenomenon of the human body, is intimately linked to "the problems of painting": "Things have an internal equivalent in me; they arouse in me a carnal formula of their presence. Why shouldn't these [correspondences] in turn give rise to some [external] visible shape in which anyone else would recognize those motifs which support his own inspection of the world?" Painting brings forth a carnal visuality, an embodied and incarnate image, by establishing the internal equivalent ("in me") of the outside world, which is made of the "same stuff." I am an extension of the world, but the world extends, intensifies, forms a "line of intensity," to use Gilles Deleuze's idiom, inside me. The world forms a "strange system of exchanges" with me; I am constituted in an exchange with the world. Painting makes this continuity visible, is itself the visualization of this continuity, of this blending of the inside and out. Images—"designs" and "paintings"—says Merleau-Ponty, are "the inside of the outside and the outside of the inside, which the duplicity of feeling makes possible and without which we would never understand the quasi presence and imminent visibility which make up the whole problem of the imaginary.”

ArtImaginationPaintingPhenomenologyDeleuzeMerleau PontyVisuality
Book:Atomic Light
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