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Quote by Azar Nafisi

“How can we protect ourselves from a culture of manipulation, where tastes and flavors are re-created chemically in laboratories and given to us as natural food, where religion is packaged, televised and tweeted and commercials influence us to such an extent that they dictate not only what we eat, wear, read and want but what and how we dream. We need the pristine beauty of truth as revealed to us in fiction, poetry, music and the arts: we need to retrieve the third eye of imagination.”

Quote by Azar Nafisi

Work

The Republic of Imagination: America in Three Books

This book examines the cultural landscape of America by analyzing the impact of three significant literary works, delving into their themes and their role in shaping American identity. more

Author

Azar Nafisi
Azar Nafisi

Azar Nafisi is an Iranian-born American writer and scholar, renowned for her experiences during the Islamic Revolution in Iran and her work 'Reading Lolita in Tehran'. She taught English literature at the University of Tehran and was forced to leave Iran after the revolution. Nafisi later moved to the United States and earned a Ph.D. from Georgetown University. more

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“Now she took a close look at me for the first time, puffing on her pipe while the old woman beside her sighed. I didnt feel I could look at Mother directly, but I had the impression of smoke seeping out of her face like steam from a crack in the earth. I was so curious about her that my eyes took on a life of their own and began to dart about. The more I saw of her, the more fascinated I became. Her kimono was yellow, with willowy branches bearing lovely green and orange leaves; it was made of silk gauze as delicate as a spiders web. Her obi was every bit as astonishing to me. It was a lovely gauzy texture too, but heavier-looking, in russet and brown with gold threads woven through. The more I looked at her clothing, the less I was aware of standing there in that dirt corridor, or of wondering what had become of my sister and my mother and father and what would become of me.”

“We topped the ridge a few moments later, and the town of Senzuru came into view below us. The day was drab, everything in shades of gray. It was my first look at the world outside Yoroido, and I didn't think I'd missed much. I could see the thatched roofs of the town around an inlet, amid dull hills, and beyond them the metal-colored sea, broken with shards of white. Inland, the landscape might have been attractive but for the train tracks running across it like a scar.”

“Kesedihan adalah hal yang ganjil sekali; kita jadi tak berdaya di hadapannya. Seperti jendela yang membuka atas kemauannya sendiri. Ruangan menjadi dingin, dan kita tak bisa berbuat apa pun kecuali gemetar kedinginan. Namun setiap kali terbuka kembali, lebarnya sedikit berkurang, makin lama makin sempit; dan pada suatu hari kita bertanya-tanya sendiri, apa yang terjadi dengan jendela itu.”