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Quote by Mira Bartok

“If he [Arthur, number thirteen] had to die, he decided he would die singing. And doing what he knew now was his destiny: to sing to the lonely comfort the frightened, and awaken the love in sleeping hearts”

Quote by Mira Bartok

Work

The Wonderling

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Author

Mira Bartok
Mira Bartok

Mira Bartok is an author known for her unique personal experiences and profound literary talent. The details of her life story are limited, but her works are deeply rooted in her personal experiences and emotions. She has made significant contributions to literature by conveying the complexity of human nature and the diversity of life, offering readers unique perspectives and profound reflections. Her works have received widespread acclaim and are considered important contributions to contemporary literature. more

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“This process of merging with another individual in a duo or a larger group of musicians, or with an audience, is the essence of communication. There has to be a willingness to participate that comes from trusting or letting go to the energy and spirit of the music, whether you're a performer or a member of the audience. This communication is made possible by the silent rhythm that connects everyone. This is what allows for spontaneous magic to lift people into a state of perfect synchrony where everyone can perform and experience the music as one.”

“I loved the sound he could get on tape for my drums. In rock music, getting this right is still one of the great tests for any engineer. Since the drum's original use was to spur on troops to warfare, rather than winning over a maiden's fair heart, it is hardly surprising that many a battle has been fought over the drum sound. The kit - virtually the only remaining acoustic instrument in a standard rock context - consists of a number of different constituent parts which insist on vibrating and rattling through a remarkable range of sounds and surfaces. Worse, hitting one element will set up a chain vibration in the others. In the days of four-track recording, the engineer needed to capture, but keep separate, the firm impact of the bass drum and the hi-hat for marking the time, the full fat sound of the snare drum, the tuned tones of the tom-toms and the sizzle or splash of the cymbals. Setting up the mikes to capture this is one of the black arts of the business, and is a pretty good way of detecting the best practitioners of them. Alan's full range of engieering skills were self-evident as we began to piece the record together.”