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Quote by Shirley Jackson

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Shirley Jackson
Shirley Jackson

Shirley Jackson (December 14, 1916 – August 8, 1965) was an American author whose dark and unsettling stories have left a lasting impact on the horror genre. Known for her psychological insights and the way she intertwines the supernatural with everyday life, Jackson's work has been widely celebrated for its originality and depth. more

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“She found a small spot where the grass was soft and dry and lay down, wondering how many years it had been since she had lain on soft grass to be alone to think. Around her the trees and wild flowers, with that oddly courteous air of natural things suddenly interrupted in their pressing occupations of growing and dying, turned towards her with attention, as though, dull and imperceptive as she was, it was still necessary for them to be gentle to a creature so unfortunate as not to be rooted in the ground, forced to go from one place to another, heart-breakingly mobile. Idly Eleanor picked a wild daisy, which died in her fingers, and, lying on the grass, looked up into its dead face. There was nothing in her mind beyond an overwhelming wild happiness. She pulled at the daisy, and wondered, smiling at herself, What am I going to do? What am I going to do?”

“Katie says, "You can't choose the time and place the when and where with whom you fall in love." She says, "It just happens like that weird feeling you get right before you fall asleep when you gasp in surprise because your muscles just relaxed and you feel like you are falling." She says, "Marcie, you shouldn't worry about it -- give it time to actually happen." I guess -- I worry that I won't do it right. That it'll be the wrong time, the wrong place, the wrong person.”

“No human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil.”