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Quote by Chloe Thurlow

“When one sense is diminished, the others burn more brightly. In a blindfold, you feel every minute motion of his hand as it crosses your body, his fingertips finding secret places, his palm on bare buttocks, his cock nudging at your clitoris.”

Quote by Chloe Thurlow

Book:The Fifty Shades of Grey Phenomena
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The Fifty Shades of Grey Phenomena

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Chloe Thurlow

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“…the rising movement of romanticism, with its characteristic idealism, one that tended toward a black-and-white view of the world based on those ideas, preferred for different reasons that women remain untinged by “masculine” traits of learning. Famous romantic writers such as Lord Byron, Samuel Taylor Coleridge, and William Hazlitt criticized the bluestockings. …and Hazlitt declared his 'utter aversion to Bluestockingism … I do not care a fig for any woman that knows even what an author means.' Because of the tremendous influence that romanticism gained over the cultural mind-set, the term bluestocking came to be a derogatory term applied to learned, pedantic women, particularly conservative ones. ... Furthermore, learned women did not fit in with the romantic notion of a damsel in distress waiting to be rescued by a knight in shining armor any more than they fit in with the antirevolutionary fear of progress.”

CultureReadingWomenEducationKnowledgeLearningCriticsIntelligenceAuthorWriterIdealismShockingRomanticismFemale EmpowermentFrench RevolutionFemale EducationLord ByronHannah MoreRomantic EraSamuel Taylor ColeridgeBluestockingWilliam HazlittAnti EducationAnti Female EducationFear Of ProgressShocking Criticism
Book:Fierce Convictions: The Extraordinary Life of Hannah More—Poet, Reformer, Abolitionist
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“Even in their reading, More charged, too many women were prone to superficiality. In search of a passing knowledge of books and authors, many read anthologies of excerpted works, that selected the brightest passages but left out deeper contexts—eighteenth-century Reader’s Digest were quite popular. More cautioned against a habit she viewed as cultivating a taste only for “delicious morsels,” one that spits out “every thing which is plain.” Good books, in contrast, require good readers: “In all well-written books, there is much that is good which is not dazzling; and these shallow critics should be taught, that it is for the embellishment of the more tame and uninteresting parts of his work, that the judicious poet commonly reserves those flowers, whose beauty is defaced when they are plucked from the garland into which he had so skillfully woven them.”

ReadingWomenEducationKnowledgeBooksIntelligenceSuperficialHannah More
Book:Fierce Convictions: The Extraordinary Life of Hannah More—Poet, Reformer, Abolitionist
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“It is so easy to practice a creditable degree of so seeming virtue, and so difficult to purify and direct the affections of the heart, that I feel myself in continual danger of appearing better than I am; and I verily believe it is possible to make one’s whole life a display of splendid virtue and agreeable qualities, without ever setting foot towards the narrow path, or even one’s face towards the strait gate.” – Hannah More”

LifeVirtuePerceptionAuthenticityReputationPersonaHannah MoreGenuine Faith
Book:Fierce Convictions: The Extraordinary Life of Hannah More—Poet, Reformer, Abolitionist
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“The violence of Hegel’s writing style consists in not allowing the reader to translate the conflicts of a proposition into the higher synthesis of a stable meaning. It interferes with the reader’s wish to be done with the text…. Hegel frustrates the reader’s desire to withdraw as quickly as possible from the contact with the other into the aloof identity and superior authority of the I. Speculative science asks us to “be with [zusammensein]” being (apprehended and articulated as subject) to sympathize with its self-disruption without losing our own beat, to join hands with it and dance.”

PhilosophyHegelHegelianismAffect Theory
Book:Tropes of Transport: Hegel and Emotion
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“The two first parts of the doctrine of Mind embrace the finite mind. Mind is the infinite Idea, and finitude here means the disproportion between the concept and the reality – but with the qualification that it is a shadow cast by the mind’s own light – a show or illusion which the mind implicitly imposes as a barrier to itself, in order, by its removal, actually to realize and become conscious of freedom as its very being, i.e. to be fully manifested. The several steps of this activity, on each of which, with their semblance of being, it is the function of the finite mind to linger, and through which it has to pass, are steps in its liberation. In the full truth of that liberation is given the identification of the three stages – finding a world presupposed before us, generating a world as our own creation, and gaining freedom from it and in it. To the infinite form of this truth the show purifies itself till it becomes a consciousness of it.”

SpiritFreedomHegelianism
Book:The Philosophy of Spirit
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