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“The fascination with Medusa did not diminish at the end of the Greek Classical Era. She continued to function as a lightning rod for prevailing cultural attitudes. During the Greco-Roman period, images of Medusa were reproduced for wealthy patrons on mosaics and sculptural reliefs as mostly young and beautiful rather than disturbingly ferocious. Nevertheless, Christian zealots, who were rising in prominence, considered all pagan images abominations to be destroyed, especially of the Gorgon Medusa. During the Medieval period in Europe, Christian scholars considered the beheading of Medusa by Perseus to be an allegory of the virtuous son of god destroying the manifestation of evil, intrinsic to all women, that threatens men's souls.” — Joan Marler

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The fascination with Medusa did not diminish at the end of the Greek Classical Era. She continued to function as a lightning rod for prevailing cultural attitudes. During the Greco-Roman period, images of Medusa were reproduced for wealthy patrons on mosaics and sculptural reliefs as mostly young and beautiful rather than disturbingly ferocious. Nevertheless, Christian zealots, who were rising in prominence, considered all pagan images abominations to be destroyed, especially of the Gorgon Medusa. During the Medieval period in Europe, Christian scholars considered the beheading of Medusa by Perseus to be an allegory of the virtuous son of god destroying the manifestation of evil, intrinsic to all women, that threatens men's souls.
— Joan Marler