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“The fresco on one large wall was indeed the marvel Julian had promised. It was a Pre-Raphaelite portrayal of the Children of Lir, those four siblings cursed to remain swans for nine hundred years. Despite a ragged crack that was making its way down the plaster, the fresco was as pulsing with life as though one was actually looking out on a placid freshwater lake. When Marjan turned away from the painted wall, she saw its real-life inspiration outside the window. There, through floor-length panes, stood a pond complete with a flock of those gracious birds, the white-necked swans.” — Marsha Mehran
The fresco on one large wall was indeed the marvel Julian had promised. It was a Pre-Raphaelite portrayal of the Children of Lir, those four siblings cursed to remain swans for nine hundred years. Despite a ragged crack that was making its way down the plaster, the fresco was as pulsing with life as though one was actually looking out on a placid freshwater lake.
When Marjan turned away from the painted wall, she saw its real-life inspiration outside the window. There, through floor-length panes, stood a pond complete with a flock of those gracious birds, the white-necked swans.