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Quote by Emma Richler

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Be My Wolff

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Emma Richler

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“I was asked: You write some intimate scenes in your stories on You Me & Stories but they are not explicit. Why so? Have you considered writing an erotica? Why would I want to write a sex scene in detail, when the actual fun is in guiding the reader, helping them visualise and letting their imagination run wild! To answer the second part of the question - No. I am happy with the way I write now. There is a very thin line between sensual and erotica. I prefer staying on the sensual side.”

“Returning to bed, Rachel strokes Zachariah's black curls as he drifts into sleep and appreciates the shape and fractal geometry there, the self-similarity and infinity of scale. She breathes in at his scalp, then presses her ear to his, listening for the clamour of voices within, to the long line of fighting men who made him, his head a seashell. There is a template for the fighting man. Rachel listens across three times nine countries, as the fairy-tale saying goes, across three times nine countries in the thirtieth tsardom . . .”

“Rachel slips off the bed and stands before him to rearrange his collar, aware that in this small gesture there is a quality acutely other than motherly, sisterly, companionable, and that, in this moment, everything ever intended for her, for them, has begun, that the beginning is in the rearrangement of his collar and not the first kiss they share now, Zach recovering his wind as quickly as he lost it, a Great Northern Diver resurfacing. Zach clasps his hands round her ears, steps into her body and breathes the very air from her lungs. His teeth scrape against hers and he rests his open mouth against her face, gasping for air, his eyes squeezed shut as in great pain. And Rachel and Zachariah are born. Now truly they are born. 'Zachariah, Zachariah,' whispers Rachel. 'My fighting man.”

“Uninvited, the thought of you stayed too late in my head, so I went to bed, dreaming you hard, hard, woke with your name, like tears, soft, salt, on my lips, the sound of its bright syllables like a charm, like a spell. Falling in love is glamorous hell; the crouched, parched heart like a tiger ready to kill; a flame's fierce licks under the skin. Into my life, larger than life, beautiful, you strolled in. I hid in my ordinary days, in the long grass of routine, in my camouflage rooms. You sprawled in my gaze, staring back from anyone's face, from the shape of a cloud, from the pining, earth-struck moon which gapes at me as I open the bedroom door. The curtains stir. There you are on the bed, like a gift, like a touchable dream. "You”

“Love’s time’s beggar, but even a single hour, bright as a dropped coin, makes love rich. We find an hour together, spend it not on flowers or wine, but the whole of the summer sky and a grass ditch. For thousands of seconds we kiss; your hair like treasure on the ground; the Midas light turning your limbs to gold. Time slows, for here we are millionaires, backhanding the night so nothing dark will end our shining hour, no jewel hold a candle to the cuckoo spit hung from the blade of grass at your ear, no chandelier or spotlight see you better lit than here. Now. Time hates love, wants love poor, but love spins gold, gold, gold from straw.”