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Quote by Josh Becker

“So, like so many artists before me, my comrades-in-arms, Rembrandt, Rubens, da Vinci, Caravaggio, Michelangelo, anyone who willingly put themselves through this same ordeal, I purchased everything I needed and began hauling my canvases, easel, and paints all over the large metropolis of Vienna every day. I searched for my voice, my signature, what made my paintings inherently and unmistakably mine.”

Quote by Josh Becker

Book:Hitler in the Madhouse
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Hitler in the Madhouse

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Author

Josh Becker
Josh Becker

Josh Becker, born on August 17, 1958, is an accomplished writer whose works span a variety of genres, including novels, non-fiction, and children's literature. He is known for his unique narrative style and profound insights into human nature. more

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“Die Kunst kann mit den ihr genuinen Mitteln zwei komplementäre Erkenntnisbewegungen zum Klimadiskurs beitragen: Sie kann die scheinbare Selbstgenügsamkeit eines Ichs aufbrechen, das sich unbetroffen fühlt, weil es seine grundsätzliche Verbundenheit leugnet, und sie kann den (nichtpekuniären) Wert der verschwindenden Lebensräume, der verschwindenden Arten vor Augen führen. "Die Welt muß romantisiert werden": Ich möchte diese Formel wieder als Forderung der Aufklärung verstehen, also als Forderung der Vernunft, die Fragilität und Einzigartigkeit lebender Wesen wahrzunehmen und ihnen mit Freundlichkeit und Respekt zu begegnen.”

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“It’s disappointing that we opposed Adolf Hitler, and even more disappointing that now still we only see him for his so-called hatred. Why do we overlook his courage, his bravery to stand up for his cause, his vegan diet, his charisma and artistic abilities? Adolf was a man with beliefs we weren’t ready for.”

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“Art is husbandry, I thought. It is an experiment in imaginary kinship. Bring together this mare and this stallion; this marriage and this moon; this sun and this daughter. Poems, paintings, pop songs, choreographies-all are collisions of associations, associations deliberately and also unforeseeably formed. One attempts to manage the consequences. To mitigate the damage. I know that ''moon'' evokes roundness, whiteness, coolness, night. I might not know the way it reminds you of orchids, or miscarriage, or of Victoria, British Columbia. But no, perhaps I could predict orchids. Perhaps ''orchids'' and ''moon'' seem to vibrate on the same frequency to me too, something ineffable and strong. So perhaps I put them in a poem together. Perhaps I put ''roundness'' and ''whiteness'' and ''orchids'' in a poem together, omitting ''moon." Perhaps I let these gravities work on one another, an invisible web catching meanings in it. All of this, any of this: perhaps. I may choose any word to place beside the preceding word; a painter may choose any stroke. I test the water for salinity. I listen for what goes bump with the night.”

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Book:Do You Remember Being Born?
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