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Quote by Jordon Avery

“Some people seem to be that way—no hesitation, no doubt, just precision and results.”

Quote by Jordon Avery

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Jordon Avery

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“so much of what we see lies in the name; that is an apple tree, that is an elm, that is a cherry tree, that is a spruce. If we look at it for longer, we might get beneath the name and see it as a unique, singular tree and not merely as a representative of the category it belongs to. And eventually we may even be able to see what it 'is', its presence in the world. But by then we will have come to know it so well that it will seem familiar to us, which in turn creates a distance, for that's how it is with the familiar, isn't it, friends we've known for years - we no longer see them, we just note their presence, allowing it to fill the category we have created for them.”

“We have evoked the curious presence, in the empty city, of the armed guards and of the two characters whose identity it is now time to reveal. Francesca Falk has drawn attention to the fact that the two figures standing near the cathedral are wearing the characteristic beaked mask of plague doctors. Horst Bredekamp had spotted the detail, but had not drawn any conclusions from it; Falk instead rightly stresses the political (or biopolitical) significance that the doctors acquired during an epidemic. Their presence in the emblem recalls 'the selection and the exclusion, and the connection between epidemic, health, and sovereignity'. Like the mass of plague victims, the unrepresentable multitude can be represented only through the guards who monitor its obedience and the doctors who treat it. It dwells in the city, but only as the object of the duties and concerns of those who exercise the sovereignity. This is what Hobbes clearly affirms in chapter 13 of De Cive, when, after having recalled that 'all the duties of those who rule are comprised in this single maxim,"the safety of the people is the supreme law"', he felt the need to specify that 'by people we do not understand here a civil person, nor the city itself that governs, but the multitude of citizens who are governed', and that by 'safety' we should understand not only 'the simple preservation of life, but (to the extent that is possible) that of a happy life'. While perfectly illustrating the paradoxical status of the Hobbesian multitude, the emblem of the frontispiece is also a courier that announces the biopolitical turn that sovereign power was preparing to make.”