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Quote by Cindy Ann Peterson

“The experience economy, also known as theatrical economy, offers 6 new types of charging for time entry fees, per-event fees, initiation fees, access fees and membership fees. Creating new ways for business to grow with the experiences with the transformations created. These are engaging events of multiple dimensions. This is a new area for growth and potential and leads to further research on how this will evolve and affect communications.”

Quote by Cindy Ann Peterson

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Cindy Ann Peterson

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“you’re still so naive, child,“ the man said to her. "you can’t expect people to be like those in fairy tales. they only seek their best interests.” she shook her head.“i know evil exists in people. it exists in you and me too, you know. but how can you see the goodness in others if all you expect are the worst?” the man sighed, as if disappointed in her. “it’s safer that way, you foolish child. sometimes your expectations will kill you. sometimes hope will be the very thing that crushes your spirit instead of lifting it, do you understand?” they sat in silence for awhile, and the man thought the girl had been swayed at last. “but sir, i’ve lived both being hopeful, and being afraid of pain that i shut myself out. between you and me, i’d rather live to give chances than to burn them. i choose hope.” the man sighed again, this time lifting his brow. “is that so?” she nodded. “people will never be good, will never have the chance to be good until you give them hope to be better, and faith that they’ll get better. walls and guards have never change the world, sir. all it did is grow more fear. at least if my hope fails me, if my faith is proven wrong, i learned. and hopefully, i get smarter. i will choose something that makes me wiser instead of hateful, sir. always.”

“Obviously he stood ready to speak for all. He was of course Karuso, and he began to bargain for the assembly with eloquence and great pertinacity. It was an affair that could not be hurried. The wage itself was a pretext, but the bargaining was important. Had I agreed immediately to the little money he demanded, all would have felt cheated and the poorer for it. The whole process was essentially a provision of wisdom and an affair of primitive honour that should not be minimized. It was a drama designed also to bring out the human factors to which Karuso was committing them all. I knew they would stop bargaining, not only when the wage seemed fair, but also when they felt they knew what kind of people we were.”