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“On the one hand we see a world which generates terrible evil in profusion. Further, the beings in whom this evil appears at its strongest are able, to a certain extent, to thrive. They are not unhappy, and they have power to spread misery and destruction around them. All this is undeniable fact. On the other hand this evil is merely destructive: it founds nothing, and seems capable of existing only on foundations laid by its opposite. It is also self-destructive: it sets these beings at enmity; they can scarcely unite against a common and pressing danger; if it were averted they would be at each other’s throats in a moment; the sisters do not even wait till it is past. Finally, these beings, all five of them, are dead a few weeks after we see them first; three at least die young; the outburst of their evil is fatal to them. These also are undeniable facts; and, in face of them, it seems odd to describe King Lear as ‘a play in which the wicked prosper’ (Johnson). Thus the world in which evil appears seems to be at heart unfriendly to it.” — A.C. Bradley