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“She would think with a kind of despair: What am I, in God's name—some kind of abomination?' And this thought would fill her with a very great anguish, because, loving much, her love seemed to her sacred. She could not endure that the slur of those words should come anywhere near her love. So now night after night she must pace up and down, beating her mind against a blind problem, beating her spirit against a blank wall—the impregnable wall of non-comprehension: 'Why am I as I am—and what am I?' Her mind would recoil while her spirit grew faint. A great darkness would seem to descend on her spirit—there would be no light wherewith to lighten that darkness. She would think of Martin, for now surely she loved just as he had loved—it all seemed like madness. She would think of her father, of his comfortable words: 'Don't be foolish, there's nothing strange about you.' Oh, but he must have been pitifully mistaken—he had died still very pitifully mistaken. She would think yet again of her curious childhood, going over each detail in an effort to remember. But after a little her thoughts must plunge forward once more, right into her grievous present. With a shock she would realize how completely this coming of love had blinded her vision; she had stared at the glory of it so long that not until now had she seen its black shadow. Then would come the most poignant suffering of all, the deepest, the final humiliation. Protection—she could never offer protection to the creature she loved: 'Could you marry me, Stephen?' She could neither protect nor defend nor honour by loving; her hands were completely empty. She who would gladly have given her life, must go empty-handed to love, like a beggar. She could only debase what she longed to exalt, defile what she longed to keep pure and untarnished.” — Radclyffe Hall