“I played an artist in a comedy called 'Rooster.' It was a zany film by Glen Larson, a friend who produced several successful television series including 'Magnum PI.” FilmArtistSuccessfulComedyTelevisionSeriesIncludingRoosters Author:LeRoy Neiman
“After being an Impressionist, Cubist, and an Abstract Expressionist, I was influenced by realistic artists, including Andrew Wyeth in the late '50s, and I haven't changed my style since.” ArtistStyleHavensChangedLateIncludingAbstractRealisticAndrewImpressionistsI Haven't Changed Author:Robert Bateman
“I've always been interested in history, but they never taught Negro history in the public schools...I don't see how a history of the United States can be written honestly without including the Negro. I didn't [paint] just as a historical thing, but because I believe these things tie up with the Negro today. We don't have a physical slavery, but an economic slavery. If these people, who were so much worse off than the people today, could conquer their slavery, we can certainly do the same thing....I am not a politician. I'm an artist, just trying to do my part to bring this thing about.” PeopleIfsTryingBelieveStatesTodaySchoolArtistI BelieveUnitedUnited StatesWrittenEconomicTaughtPoliticianSlaveryHistoricalPaintIncludingHonestlyConquerTiesPublic SchoolEconomic Slavery Author:Jacob Lawrence
“The 'Cercle et Carré' group owes its existence to my encounter with the Uruguayan painter Torrès-Gracia in 1929... However difficult our relationship, his obstinacy matching my patience, this unholy team of fire and water was bound to produce something. Towards the end of the year, after consulting sundry artists, including Arp, Mondrian, and Van Doesburg, we drew up the program for a new group and launched a magazine which was be called 'Cercle et Carré'.” YearsEndsArtistDifficultWaterExistenceFireGroupsTeamProduceProgramBoundsIncludingPainterMagazinesEncountersOur RelationshipVansConsultingMatchingObstinacy Author:Michel Seuphor