“In the past I've been very into the falling part, very into the swimming in the dark, deep emotional water. 'Rampart' I really went into it and it took me three times as long to get out of that depression as it did to just do the scenes. I had to learn to give it my all and then go home and laugh.” GivingLongHomePastFallThreeWaterDarkLaughingEmotionalSceneSwimmingThree TimesDeep Emotional Author:Brie Larson
“When I'm working, I'm so narrowly focused on sound, language, rhythm, flow, that I rarely feel the emotion of the text. It's only after - long after - I've finished a piece that I can experience in any way its emotional charge.” WayFeelsLongI CanLanguageSoundEmotionPiecesEmotionalFlowFocusedFinishedRhythm Author:Taiye Selasi
“Anger begins as an inner twinge. We sense something long before it blossoms (explodes?) into an emotional tirade. If we listen to this twinge -- and follow its advice -- the emotional outburst (or in burst) is not needed.” IfsLongAdviceEmotionalNeededAngerOutburstEmotional Outbursts Author:Peter McWilliams
“When you make people angry, they act in accordance with their baser instincts, often violently and irrationally. When you inspire people, they act in accordance with their higher instincts, sensibly and rationally. Also, anger is transient, whereas inspiration sometimes has a life-long effect.” PeopleLongSometimesInspirationEffectsEmotionalInspireHigherAngryInstinctEmotional IntelligenceLong LifeTransient Book:Peace Pilgrim: Her Life and Work in Her Own Words Source: Peace Pilgrim: Her Life and Work in Her Own Words
“For me, the best characters are the ones that feel fully formed inside and out, so I try to have a very clear vision of exactly what they would wear, top to bottom, who they are, what their backstory is, what their family situation is, who are their friends, just creating as much of a three-dimensional character [as possible]. Because I think you could do a very broad character, but as long as there's some emotional truth to them you can get away with really crazy things.” ThinkingFeelsTryingLongCharacterThreeSituationVisionClearCrazyEmotionalCreatingBottomGet AwayBroadsCrazy ThingsClear VisionBest Character Author:Nick Kroll
“In many ways, large profits are even more insidious than large losses in terms of emotional destabilization. I think it's important not to be emotionally attached to large profits. I've certainly made some of my worst trades after long periods of winning. When you're on a big winning streak, there's a temptation to think that you're doing something special, which will allow you to continue to propel yourself upward. You start to think that you can afford to make shoddy decisions. You can imagine what happens next. As a general rule, losses make you strong and profits make you weak.” ThinkingWayLongMadeImportantBigsHappensNextWinningStrongTermLossDecisionImagineWorstSpecialEmotionalPeriodsWeakTradeProfitTemptationSomething SpecialStreaksInsidious Author:William Eckhardt
“As long as we are focusing on the breath we do not feed our mental, emotional, and physical patterns. By returning to the breath again and again we start to dissolve their power. We develop a space between experience and our identification with it, thereby weakening the process that creates habits in the first place.” FirstsLongProcessSpaceEmotionalHabitBreathsPatternsAgain And AgainIdentificationSpace BetweenWeakening Author:Martine Batchelor
“Looking back on the long-stretched-out body of one's work, it is interesting to mark the endless duel fought within a man between the emotional and critical sides of his nature, first one, then the other, getting the upper hand, and too seldom fusing till the result has the mellowness of full achievement. One can even tell the nature of one's readers, by their preference for the work which reveals more of this side than of that.” MenFirstsLongBodyHandsSidesInterestingResultsEmotionalReaderAchievementMarkCriticalEndlessWorking ItLooking BackPreferenceUpper Hand Author:John Galsworthy