“Okay, this is Fran Lebowitz. She gave an interview once for the Paris Review about trying to write fiction and saying that fiction writers start talking about how characters are talking to them, and it's crazy, she's never had that. And I also thought, I'm never gonna be able to do this, because I didn't feel that for a really long time.” FeelsWritingTryingLongCharacterAbleFictionTalkingCrazyLong TimeOkayParisInterviewsReviewsFiction WritersReally Long Author:Sloane Crosley
“No academy could have given me all I discovered by getting my teeth into the exhibitions, the shop windows, and the museums of Paris . Beginning with the market - where, for lack of money, I bought only a piece of a long cucumber - the workman in his blue overall, the most ardent followers of Cubism , everything showed a definite feeling for proportion, clarity, an accurate sense of form, of a more painterly kind of painting, even in the canvases of second-rate artists.” KindLongFeelingsFormArtistGivenPiecesPaintingWindowBlueRateTeethClarityParisProportionShopsMuseumsFollowersAccurateDefiniteAcademyArdentExhibitionsWorkmenSecond RateCucumbersCubismShop Windows Author:Marc Chagall
“Paris is a city of centralisation--and centralisation and classification are closely allied. In the early times, when centralisation is becoming a fact, its forerunner is classification. All things which are similar or analogous become grouped together, and from the grouping of groups rises one whole or central point. We see radiating many long arms with innumerable tentaculae, and in the centre rises a gigantic head with a comprehensive brain and keen eyes to look on every side and ears sensitive to hear--and a voracious mouth to swallow.” LooksLongWholeFactsEyeTogetherSidesCitiesBrainGroupsArmsBecomingMouthsAll ThingsEarsParisSensitiveCentreComprehensiveClassificationForerunners Book:The Burial of the Rats Source: The Burial of the Rats