“The worst part is that if you become part of a major - all these independent labels become farm teams for your corporate parent. Basically, you do all the work for years, blowing up an artist - you discover them, blow them up, you build their fan base. And then that artist is like, "Okay, now I'm here. Now I want more. I want to be bigger." And you're either going to be able to accommodate them, you're going to be able to figure out how to take that step with them, or you're going to lose them.” IfsWantYearsAbleArtistParentLosesStepsTeamFansWorstFiguresMajorsOkayBiggerIndependentBlowLabelsCorporateFarmsAccommodateBlowing Up Author:El-P
“Russia tried to introduce beer as kind of the new vodka - and it's working with younger people in major cities - but you can have ten shots of vodka and be perfectly okay. If I had ten beers, I would be liquidated.” PeopleIfsKindWould BeCitiesTenMajorsShotsOkayRussiaBeerIntroducingVodka Author:Gary Shteyngart
“You run a major risk when you assume that you alone have all the answers: You don't, and that's okay. You don't have to be afraid to admit there are certain things you either don't like to do or aren't any good at. You reach a goal by covering all your bases, and you cover all your bases by hiring good people.” PeopleRunningCertainGoalAnswersRiskMajorsOkayBasesAssumingGood PeopleCoveringHiringDelegation Book:Feminine Force: Release the Power Within You to Create the Life You Deserve Source: Feminine Force: Release the Power Within You to Create the Life You Deserve
“One of the problems with episodic television of any color is that everything has got to be okay at the end of the episode so it can start again next week. So the events that occur are rarely life-changing. But with film, you can say that this thing only happened once; this is a major thing that happened to these people.” PeopleEndsProblemFilmNextHappenedWeekEventsTelevisionColorMajorsOkayLife ChangingEpisodesNext Week Author:Peter Capaldi
“I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself if it is all right as a story. I mean, once you go saying to yourself, 'This is a pretty weak plot as it stands, but I'm such a hell of a writer that my magic touch will make it okay,' you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them.” IfsWayWritingBelieveMeanCharacterStoriesI BelieveInterestingSituationHellMagicMajorsWeakOkayMarkAskingPlotExaminingInteresting Situations Author:P. G. Wodehouse
“In college I had to major in something, so I was like, "Okay I like art history, so I will major in that." I never really had any ambitions to work in museums or anything, though.” ArtCollegeAmbitionMajorsOkayMuseumsArt History Author:Walter Martin
“Then finally I said, 'Okay, well, I want to know all the details. I want creative input. I want to be consulted. I want to know what they're doing and who's involved. And I want to see the space.' So they took me to see it, and then I realized it was major! All these red flags on the Rue de Rivoli with my name on them right by the Louvre!” KnowsWantWellsSaidNamesSpaceCreativeInvolvedMajorsRedOkayDetailsI RealizedFlagsInputRed FlagsRueLouvre Author:Kate Moss