“Too many film schools, as well as any number of screenwriting gurus and an obscene number of how-to-write tomes, have made a business of catering to fledgling screenwriters and filmmakers by exploiting their belief that the only thing standing between them and an Oscar is the right kind of knowledge. If only one knew enough, one could easily become rich and famous. Unfortunately, almost all are susceptible to that eternal malady – “that last great infirmity of the soul” – which is FAME. And whilst I don’t deny the value of technical knowledge, such knowledge matters very little if the story one is trying to tell doesn’t matter, either because it’s incoherent or simply because it fails to make us care.” FameStoryFilmmakingFilm SchoolStory Telling Author:Billy Marshall Stoneking
“Character is not purchased with a dance in the street. It's expensive and hard to come by. Though it is the heir of disappointment, betrayal and frustration, it is not the inheritance that matters but what you do with it. No one ever developed their character by arranging their experiences in such a way that only ‘good’ things are allowed to happen.” CharacterExperienceDisappointmentBetrayal Author:Billy Marshall Stoneking
“No one ever developed their character by arranging their experiences in such a way that only ‘good’ things are allowed to happen to them. Character is not purchased with a dance in the street. It is not cheap, and it’s hard to come by, owing partly to the fact that it is the heir of disappointment, frustration, betrayal and deceit. However, it is not the inheritance that matters so much as what you do with it. In the face of seemingly insurmountable problems what do you do, and why do you do it? The same holds for dramatic characters whose strength, courage, insight and wisdom have to be earned.” WritingCharacterBetrayalDeceitInsightsStoneking Author:Billy Marshall Stoneking
“Being an American in Australia isn't easy, but I'm trying to integrate, I'm trying to fit in.” PoetryIntegrationStonekingPerformance Poem Author:Billy Marshall Stoneking
“POUND We spend twelve hundred generations developing so-called civilization to the point where it produces an expert who can offer us salvation from our superstitions, and all we end up with is another superstition! If it takes someone like Freud to save us from our neuroses, what’s it gonna take to save us from Freud?” CivilizationExpertsSuperstitionStoneking Book:Sixteen Words For Water Source: Sixteen Words For Water
“What monster sleeps in the deep of your story? You need a monster. Without a monster there is no story.” WritingFearStoryMonsterStonekingNarratir Author:Billy Marshall Stoneking
“Originality has nothing to do with producing something ’ new’ - it is about seeking the source, the primordial ground from which you draw and have always drawn your being. It comes about when one works from one’s origins, it is the dance of the eternal return… and is as ancient as the Dreamtime.” WritingCreativityOriginalityOriginsStonekingDreamtime Author:Billy Marshall Stoneking
“THE THINGS POETS & WRITERS DO THAT I LOVE Listen to the Ancestors Acknowledge their influences Trust their gut-feelings and act on them Maintain openness. Play Dance with languages Be bold Refuse servility Avoid arrogance Embrace the unknown Love the journey Respect one’s fellow journeyers” WritersPoets On PoetryStoneking Author:Billy Marshall Stoneking
“Your audience is your adversary. If you don't have one get one - imagine it. Imagine it now. To whom is your story addressed and why? Audience is always a creative act of the imagination. You can't tell your story effectively and leave it out. It must be alive in you, vividly alive. It is in conflict with everything that is false in what you have written. If it is an audience worthy of your talent and potential, it won't let you slide by the lies, the laziness, the shortcuts. If you don't take audience seriously, you can be sure it will return the favor.” WritingFilmQuotesAudienceStoryScreenwritingStoneking Author:Billy Marshall Stoneking
“If you would know this country, you must know its stories.” AustraliaStonekingStories DreamsSinging The Snake Author:Billy Marshall Stoneking
“Some writers might tell you that writing is like a piece of magic - a process of creating something out of nothing, and I guess I used to think about it that way too a long long time ago. But as I've lived my life and loved and lost friends and family, and seen dreams smashed and resurrected, and marveled at the pettiness, drear ambition and ignorance of the herd of which I am a part, I can no longer say that a poem or a story or a script comes from nothing. If it's any good, if it has any power, any potent emotional body, then it's something that a writer has paid for, not only in time, but in all the anxiety that accompanies living and those small fret-filled acts of becoming present that make it possible for us to see beyond our little patch of immediacy. It's not just a reaching out, but a reaching in, into the depths of our being from whence we've sprung.” WritingStoryStoneking Author:Billy Marshall Stoneking
“We speak for those who cannot speak. We have a duty to tell the stories for those who do not have the advantages that we have to tell stories. We must not speak falsely. The stories that we are entrusted to tell are stories of our tribes, or the tribes into which we have been initiated.” StoriesTribesStoneking Author:Billy Marshall Stoneking
“Poetry is the struggle against the simplification, codification, and mummification of language, it serves as a constant redirect - moving us to the experience to which the words point.” PoetryLanguageStoneking Author:Billy Marshall Stoneking
“As a writer, you can’t get to where you want to be, coming from the place you started, unless you have something extremely important you want to say to someone who really doesn’t want to know.” Writers On WritingStoneking Author:Billy Marshall Stoneking
“Nothing that happens is meant to happen or not meant to happen. The ‘meant’ is the story we tell ourselves that allows us to make sense of what is fundamentally senseless. Does this make our lives less important? Only if that’s the story you want to tell yourself. Where do the stories end? They don’t. It’s stories all the way down. And all the way up.” IdeasStoriesMeaning Of LifeWriting PhilosophyStoneking Author:Billy Marshall Stoneking
“There are far too many screenwriters who have made themselves honorary “secret” members of the Audience Protection Society (APS). Of course, they’re easy to spot, which makes their membership in this group anything but secret. They write as if they are duty bound to protect their readers from the nastiness of ruthless drama. The way they see it, if they’re going to go to the trouble of creating loveable and attractive characters why throw them to blood-thirsty apes, or have them face a fate worse than death? They tell themselves that such actions would offend their audience’s sensibilities, but really it’s their own fears and prejudices they can’t cope with, not to mention those nagging insecurities concerning their ability to write credible characters in the grip of extreme emotion. They’d rather be dead than write cheese.” QuotesAudienceCharactersScreenwritingStoneking Author:Billy Marshall Stoneking
“The story writes you as much as you write it. And the process of re-writing isn't so much a quest to re-write the story as it is to re-write the writer.” DramaStoryScreenwritingStoneking Author:Billy Marshall Stoneking
“Fear is elemental to every human endeavour involving risk and change, which includes ALL creative endeavours. To be creative is to be anxious. To endure the anxiousness - to face it and work with it, to allow it to lay bare what has been hidden - is the beginning of faith, which, in a certain sense, is the courage to become, to become present, along with all the other characters, tribes and audiences whose actions move the unfolding drama that is the world.” ChangeRiskAnxietyStoneking Author:Billy Marshall Stoneking
“A mistake is the name we give to any action in which we perceive a difference between what we intended and what has occurred. Intention fuels every dramatic action, including the writing of dramatic stories, which involves a series of dramatic actions. In the course of writing, or finding, the story that wants to get itself told, it behooves the writer to liberate the characters by finding the faith and courage necessary for setting aside one’s own conscious needs and expectations. Not to do so promotes ‘mistakes’ - i.e: confusion born of some incoherence in the emotional logic of the story). As the writer abandons his/her intentions - no matter how noble they may seem - only then does that most strange and ineffable quality we so casually refer to as ‘the magic’ have a chance of entering the story, and rendering even the ‘mistakes’ stimulating, daring and provocative.” WritingCreativityCourageDramaMistakesCharacters Author:Billy Marshall Stoneking