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“Today, in a world in which the very word ‘classical’ hints at something revered to the point of dullness, it is hard to understand quite how alarming many of these works were to the Christians. But to Christian eyes the classical canon had the power to horrify. It was replete with sins of every kind. Open Homer’s Iliad and you might find your eyes falling on a passage about how the god Ares seduced golden Aphrodite – and how they were both then caught in flagrante delicto. Open Oedipus the King and you might find a declaration that ‘the power of the gods is perishing’. Even works by the most stuffily august of authors were not without danger: open a work by the tediously virtuous Virgil, and you might find Dido and Aeneas up to no good in a cave in a rainstorm. Idolatry, blasphemy, lust, murder, vanity – every sin was there. That was what made them so enjoyable and, to the Christians, so damnable.”

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Book:The Darkening Age: The Christian Destruction of the Classical World
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“For St Paul and other Christian preachers, the body and its urges were not to be celebrated but smothered. In tortuous and embarrassed circumlocutions, Paul raged at ‘this body of death’. The rewards of a virgin in heaven were said to be sixty times greater. Christian writers in this period recorded the stirrings of their sexuality with great distaste – perhaps none more influentially than Augustine. Sex was, he felt, permissible if children resulted from the union but even then the action itself was lustful, evil and ‘bestial’, while erections were ‘unseemly’. The West would reap a bitter harvest of sexual shame from the disgusted writings of these two men. In the earliest days of the religion, some Christians went further, arguing that there was no need for sex any more at all. A new form of creation, in the form of a great conflagration and rebirth of the godly, was imminent. What need for awkward, messy, inexact human reproduction? Eternal life rendered reproduction redundant.”

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Book:The Darkening Age: The Christian Destruction of the Classical World
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“Out of all the froth and fury that was being issued from the government at the time, one law would become infamous for the next 1,500 years. Read this law and, in comparison to some of Justinian’s other edicts, it sounds almost underwhelming. Filed under the usual dull bureaucratic subheading, it is now known as ‘Law 1.11.10.2’. ‘Moreover,’ it reads, ‘we forbid the teaching of any doctrine by those who labour under the insanity of paganism’ so that they might not ‘corrupt the souls of their disciples.’ The law goes on, adding a finicky detail or two about pay, but largely that is it. Its consequences were formidable. This was this law that forced Damascius and his followers to leave Athens. It was this law that caused the Academy to close. It was this law that led the English scholar Edward Gibbon to declare that the entirety of the barbarian invasions had been less damaging to Athenian philosophy than Christianity was. This law’s consequences were described more simply by later historians. It was from this moment, they said, that a Dark Age began to descend upon Europe.”

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Book:The Darkening Age: The Christian Destruction of the Classical World
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“As the modern scholar Alan Cameron has put it: ‘In 529 the philosophers of Athens were threatened with the destruction of their entire way of life.’ The Christians were behind this – yet you will search almost in vain for the word ‘Christian’ in most of the writings of the philosophers. That is not to say that evidence of them is not there. It is. The miasmatic presence of the religion is keenly felt on countless pages: it is Christians who are driving persecutions, torturing their colleagues, pushing philosophers into exile. Damascius and his fellow scholars loathed the religion and its uncompromising leaders. Even Damascius’s famously mild and gentle teacher, Isidore, ‘found them absolutely repulsive’; he considered them ‘irreparably polluted, and nothing whatever could constrain him to accept their company’. But the actual word Christian is missing. As if the very syllables were too distasteful for them to pronounce, the philosophers resorted to elaborate circumlocutions. At times, the names they gave them were muted. With a masterful understatement, the present system of Christian rule, with its torture, murder and persecution, was referred to as ‘the present situation’ or ‘the prevailing circumstances’. At another time the Christians became – perhaps a reference to those stolen and desecrated statues – ‘the people who move the immovable’. At other times the names were blunter: the Christians were ‘the vultures’ or, more simply still, ‘the tyrant’. Other phrases carried a contemptuous intellectual sneer. Greek literature is awash with hideously rebarbative creatures, and the philosophers turned to these to convey the horror of their situation: the Christians started to be referred to as ‘the Giants’ and the ‘Cyclops’. These particular names seem, at first sight, an odd choice. These are not the most repellent monsters in the Greek canon; Homer alone could have offered the man-eating monster Scylla as a more obvious insult. That would have missed the point. The Giants and the Cyclops of Greek myth aren’t terrible because they are not like men – they are terrible because they are. They belong to the uncanny valley of Greek monsters: they look, at first glance, like civilized humans yet they lack all the attributes of civilization. They are boorish, base, ill-educated, thuggish. They are almost men, but not quite – and all the more hideous for that. It was, for these philosophers, the perfect analogy. When that philosopher had been beaten till the blood ran down his back, the precise insult that he hurled at the judge had been: ‘There, Cyclops. Drink the wine, now that you have devoured the human flesh.”

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Book:The Darkening Age: The Christian Destruction of the Classical World
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