“It has been said that Shakespeare, the great delineator of human character, has failed in distinguishing his principal women—and that such as he meant to be amiable are all equally gentle and good. How difficult then it is for a novelist to give to one of his heroines any very marked feature which shall not disfigure her! Too much reason and self-command destroy the interest we take in her distresses. It has been observed, that Clarissa is so equal to every trial as to diminish our pity. Other virtues than gentleness, pity, filial obedience, or faithful attachment, hardly belong to the sex.” WritingRomanceWomenNovelShakespeareHeroine Book:Marchmont: A Novel Source: Marchmont: A Novel
“I was told, and indeed I saw several examples, that neither time nor place was much minded, and that I might hazard being equally careless of chronology and geography; but I piqued myself on having studied Aristotle, and scrupulously attended to the probabilities of time and place.” WritingTimeNovelSettingNovelsPlaceNovel WritingAristotle Book:Marchmont: A Novel Source: Marchmont: A Novel
“Novel-writing has in one respect an affinity to the drama—that time and distance are required to soften for use the harsher features that may be exhibited from real life; that it was almost impossible to bring forward events without touching on their causes; and that any tendency to political discussion, however liberal or applicable, was not to be tolerated in a sort of work which people took up with no other design than to be amused at the least possible expence of thought.” WritingPoliticsNovelRevolutionNovelsNovel WritingAuthorshipPolitical Writing Book:Marchmont: A Novel Source: Marchmont: A Novel
