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“Easy beauty was apparent and unchallenging: "A simple tune; a simple spatial rhythm... a one; a youthful face, or the human form in its prime, all these afford a plain straightforward pleasure..." Conversely, difficult beauty, wrote Bosanquet required more time, patience, and a higher amount of concentration. Our ability to appreciate difficult beauty depended on our education, insights endurance, and our capacity or attention. In difficult beauty, one often encourages intricacy, tension, and width. The intricacy of a difficult aesthetic object can provoke resentment and disgust in us if we are unable to resolve and classify the complex elements of the object. Difficult beauty also required us to stay in a state of "high tension of feeling," and it is our own weakness - the "weakness of the spectators," says Bosanquet, taking the phrase from Aristotle - that causes us to shrink from the challenge of difficult beauty. "The capacity to endure and enjoy feeling at high tension is somewhat rare.”

“We seek beauty, but our understanding of its nature is limited. We find it primarily in easy-to-appreciate human forms. As we grow older and learn more, we journey closer to the truth of beauty. We begin to perceive it more powerfully in minds than in bodies. We stay on our quest, ascending, going higher and higher in our conception of beauty. As we do, our capacity to recognize beauty grows larger. We can take in more. Our eyes adjust to the bright light of the true nature of beauty until, at last, we may be able to behold it - perfect beauty, which is "pure, clean, unmixed, and not infected with human flesh, colors, or morality." Glimpsing to at last, we become part of a bigger sum, something vast and immortal.”