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Life With Picasso

Book by Francoise Gilot · 6 quotes · Picasso, Relationships, Capable

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Life With Picasso Quotes

“So how do you go about teaching them something new? By mixing what they know with what they don’t know. Then, when they see vaguely in their fog something they recognize, they think, ‘Ah, I know that.’ And then it’s just one more step to, ‘Ah, I know the whole thing.’ And their mind thrusts forward into the unknown and they begin to recognize what they didn’t know before and they increase their powers of understanding.”

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“He told me that from now on, everything I did and everything he did was of the utmost importance: any word spoken, the slightest gesture, would take on a meaning, and everything that happened between us would change us continually. 'For that reason,'he said,'I wish I were able to suspend time at this moment and keep things exactly at this point, because I feel this instant is a true beginning. We have a definite but unknown quantity of experience at our disposal. As soon as the hourglass is turned, the sand will begin to run out and once it starts, it cannot stop until it's all gone. That's why I wish I could hold it back at the start. We should make a minimum of gestures, pronounce a minimum of words, even see each other as seldom as possible, if that would prolong things. We don't know how much of everything we have ahead of us so we have to take the greatest precautions not to destroy the beauty of what we have. Everything exists in limited quantity-especially happiness. If a love is to come into being, it is all written down somewhere, and also its duration and content. If you could arrive at the complete intensity the first day, it would be ended the first day. And so if it's something you want so much that you'd like to have it prolonged in time, you must be extremely careful not to make the slightest excessive demand that might prevent it from developing to the greatest extent over the longest period...If the wings of the butterfly are to keep their sheen, you mustn't touch them. We mustn't abuse something which is to bring light into both our lives. Everything else in my life only weighs me down and shuts out the light. This thing wih you seems like a window that is opening up. I want it to remain open...”

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“Pablo's many stories and reminiscences about Olga and Marie-Thérese and Dora Maar, as well as their continuing presence just offstage in our own life together, gradually made me realize that he had a kind of Bluebeard complex that made him want to cut off the heads of all women he had collected in his private museum. But he didn't cut the heads entirely off. He preferred to have life go on and to have all those women who had shared his life at one moment or another still letting out little peeps and cries of joy or pain and making a few gestures like disjointed dolls, just to prove there was some life left in them, that it hung by a thread, and that he held the other end of the thread. From time to time they would provide a humorous or dramatic or sometimes tragic side to things, and that was all grist to his mill.”

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“The heart of the problem, I soon came to understand, was that with Pablo there must always be a victor and a vanquished. I could not be satisfied with being a victor, nor, I think, could anyone who is emotionally mature. There was nothing gained by being vanquished either, because with Pablo, the moment you were vanquished he lost all interest. Since I loved him, I couldn't afford to be vanquished. What does one do in a dilemma like that?”

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