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“Whether it be because the Fall has really brought men nearer to less desirable neighbours in the spiritual world, or whether it is merely that the mood of men eager or greedy finds it easier to imagine evil, I believe that the black magic of witchcraft has been much more practical and much less poetical than the white magic of mythology. I fancy the garden of the witch has been kept much more carefully than the woodland of the nymph. I fancy the evil field has even been more fruitful than the good. To start with, some impulse, perhaps a sort of desperate impulse, drove men to the darker powers when dealing with practical problems. There was a sort of secret and perverse feeling that the darker powers would really do things; that they had no nonsense about them. And indeed that popular phase exactly expresses the point. The gods of mere mythology had a great deal of nonsense about them. They had a great deal of good nonsense about them; in the happy and hilarious sense in which we talk of the nonsense of Jabberwocky or the Land where Jumblies live. But the man consulting a demon felt as many a man has felt in consulting a detective, especially a private detective; that it was dirty work but the work would really be done. A man did not exactly go into the wood to meet a nymph; he rather went with the hope of meeting a nymph. It was an adventure rather than an assignation. But the devil really kept his appointments and even in one sense kept his promises; even if a man sometimes wished afterwards, like Macbeth, that he had broken them.”

“If I beat my grandmother to death to-morrow in the middle of Battersea Park, you may be perfectly certain that people will say everything about it except the simple and fairly obvious fact that it is wrong. Some will call it insane; that is, will accuse it of a deficiency of intelligence. This is not necessarily true at all. You could not tell whether the act was unintelligent or not unless you knew my grandmother. Some will call it vulgar, disgusting, and the rest of it; that is, they will accuse it of a lack of manners. Perhaps it does show a lack of manners; but this is scarcely its most serious disadvantage. Others will talk about the loathsome spectacle and the revolting scene; that is, they will accuse it of a deficiency of art, or æsthetic beauty. This again depends on the circumstances: in order to be quite certain that the appearance of the old lady has definitely deteriorated under the process of being beaten to death, it is necessary for the philosophical critic to be quite certain how ugly she was before. Another school of thinkers will say that the action is lacking in efficiency: that it is an uneconomic waste of a good grandmother. But that could only depend on the value, which is again an individual matter. The only real point that is worth mentioning is that the action is wicked, because your grandmother has a right not to be beaten to death. But of this simple moral explanation modern journalism has, as I say, a standing fear. It will call the action anything else—mad, bestial, vulgar, idiotic, rather than call it sinful.”