“This is... an attempt to find some of the important fault lines in the narrative of "recorded history"--the points where people with access to the technology decided that *this* was how recordings should sound, and *this* is what it means to make a record. Ultimately, this is the story of what it means to make a recording of music--a *representation* of music--and declare it to be music itself.” PreservationMusic HistoryRecordings Book:Perfecting Sound Forever: An Aural History of Recorded Music Source: Perfecting Sound Forever: An Aural History of Recorded Music