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Josef Koudelka

Josef Koudelka Books

Photographer

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“We are hardly the first victims of perfidious Soviet policy, which has, already several times in history, placed the interests of power of the Greater Russian Empire— which is probably the most suitable name for the true essence of the complicated little internal Soviet unions— above all the interests of proletarian internationalism. What was the annexation of the Baltic peoples, the Latvians, Lithuanians and Estonians? To this day, he hatred these nations feel for the Russians is so great that a European [sic] cannot even comprehend it. Mladý svět (Young World), special edition no. 4, 26 August 1968”

“It never seemed important to me that my photos be published. It's important that I take them. There were periods where I didn't have money, and I would imagine that someone would come to me and say: 'Here is money, you can go do your photography, but you must not show it.' I would have accepted right away. On the other hand, if someone had come to me saying: 'Here is money to do your photography, but after your death it must be destroyed,' I would have refused.”

“I have never had any hero in my life or in photography. I just travel, I look and everything influences me. Everything influences me. I am quite different now than I was 40 years ago. For 40 years I have been traveling. I never stay in one country more than three months. Why? Because I was interested in seeing, and if I stay longer I become blind.”

“When I photograph, I do not think much. If you looked at my contacts you would ask yourself: "What is this guy doing?" But I keep working with my contacts and with my prints, I look at them all the time. I believe that the result of this work stays in me and at the moment of photographing it comes out, without my thinking of it.”

“My photographs are proof of what happened. When I go to Russia, sometimes I meet ex-soldiers... They say, 'We came to liberate you....' I say: 'Listen, I think it was quite different. I saw people being killed.' They say: 'No. We never... no shooting. No. No.' So I can show them my Prague 1968 photographs and say, 'Listen, these are my pictures. I was there.' And they have to believe me.”