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“This process taught us to test and challenge the prevailing wisdom about the paucity of African American artifacts. What we discovered was a paucity of effort and creativity rather than a scarcity of collections. I hope that our efforts will spur other institutions to embrace community-driven collecting and commit the resources to look inside the basements and garages for material that was once deemed less important to the interpretive agenda of museums. Not every cultural organization will discover items from Harriet Tubman, Nat Turner, or Marian Anderson, but every museum that makes the effort will find discover items from Harriet Tubman, Nat Turner, or Marian Anderson, but every museum, but every museum that makes the effort will find objects that document the lives, the work, the resiliency, and the dreams of their community.”

“I had always believed that the [Smithsonian National Museum of African American History & Culture] should be a safe haven that helps Americans wrestle with and better understand the difficult current issues of race, justice, and equality. In essence, the museum is a bully pulpit that provides NMAAHC with the opportunity and responsibility to clarify and contextualize concerns that often divide or perplex the American public.... I think it is important for NMAAHC, for the Smithsonian, to engage in the public square in a manner that brings reason, knowledge, and contextualization to the contemporary challenges faced by America. Actions like this are not without risk to an institution that operates within a federal umbrella. Yet I believe that museums like NMAAHC have an obligation to use their expertise, their platform, to contribute to the greater good of a nation.”